# Hospodality — A history of hospitality Source: https://www.hospodality.com · hello@hospodality.com ## History (64) ### Pubs and inns #### Roman tabernae in Britain The story of the British pub is usually told as an English one, but its first chapter is Roman. When the legions arrived after the invasion of AD 43, they brought with them a road network and, along it, the habits of a Mediterranean empire that already knew how to feed and water travellers. In Rome itself the taberna was a small shop opening onto the street, and many of them sold food and wine. The word gives us 'tavern', and the idea of a counter facing the public, with a keeper behind it, is recognisably the ancestor of the bar. In Britain, places to eat and drink grew up in towns such as Londinium, Verulamium and Eboracum, and along the military roads, where an official system of posting stations, the mansiones, offered rest and fresh horses to people travelling on state business. Ordinary travellers and soldiers relied on humbler roadside establishments. Archaeology gives us glimpses rather than a full picture: drinking vessels, amphorae that once carried wine and olive oil from across the empire, and the remains of buildings that look like cookshops. The Vindolanda tablets, written on Hadrian's Wall around the turn of the second century, mention beer among the supplies of the garrison, and refer to a brewer, a reminder that the native taste for ale was never displaced by imported wine. When Roman rule in Britain ended in the early fifth century, much of the urban and road infrastructure decayed, and the tabernae vanished with it. The thread is therefore one of inheritance rather than unbroken continuity: the name, the counter and the roadside stop survived as ideas, while the Anglo-Saxon alehouse grew from very different, domestic roots. Still, it is a good story for a podcast to begin with. Two thousand years ago, a tired traveller on a British road could already look for a sign, push open a door and ask for a drink and something hot to eat. Hospitality on these islands is older than England itself, and it has always followed the roads. - The English word 'tavern' descends from the Latin taberna, originally a shop or booth. - The Roman state ran mansiones, official posting stations, along major roads for those on imperial business. - Writing tablets from Vindolanda on Hadrian's Wall mention beer and a brewer supplying the garrison. - There is no unbroken line from Roman tabernae to medieval alehouses; the institution was largely reinvented. #### The medieval alehouse For most of the Middle Ages, the alehouse was not a purpose-built building but somebody's home. Ale, brewed from malted grain without hops, went sour within days, so households brewed little and often, and a woman with a surplus would sell it to neighbours. To show that a fresh brew was ready, she hung an ale-stake, a pole with a bush or garland, over her door. That simple signal is one root of the pub sign. Brewing for sale was overwhelmingly women's work, and the alewife is a familiar figure in court records, sermons and satire, sometimes respected, often mocked, and regularly fined. Because ale was a daily food for rich and poor alike, its price and quality mattered enormously, and in 1266 or thereabouts the Assize of Bread and Ale set rules tying the price of ale to the price of grain. Local officials known as ale-conners or ale-tasters checked that it was sound and fairly measured. Breaches were punished routinely, so routinely that historians have argued the fines worked more like a licence fee than a penalty. Alehouses were distinct from inns, which offered beds and stabling to travellers, and from taverns, which in towns sold wine to a better-off clientele. The alehouse was the poorest of the three and the most local: a room, a fire, a few benches and a barrel. Across the late medieval period, things changed. Hopped beer, brought by Flemish and Dutch brewers in the fifteenth century, kept longer and could be made in larger batches, which favoured commercial brewers over the household alewife. Gradually brewing became a male trade organised in larger units, and the alehouse began its long journey from a kitchen with a bush outside to a recognisable public house. When people today talk of the pub as Britain's living room, they are echoing this origin more literally than they know: it began as a living room, opened to the street. - An ale-stake with a bush or garland over the door signalled fresh ale for sale. - The Assize of Bread and Ale, dating from the mid-thirteenth century, linked ale prices to grain prices. - Ale-conners or ale-tasters were local officials who checked the quality and measure of ale. - Commercial brewing of ale for sale in the medieval period was largely carried out by women. - Hopped beer arrived from the Low Countries in the fifteenth century and gradually displaced unhopped ale. #### Inns, taverns and alehouses: the three-tier system Before the word 'pub' covered everything, England had a clear hierarchy of drinking places, and understanding it explains a great deal about how the trade still thinks. At the top stood the inn. Inns offered lodging, food, drink and stabling to travellers, and the best of them were large, courtyard buildings on main roads and in market towns. They were places of business as much as rest: carriers met there, deals were struck, courts and auctions sometimes sat in their rooms, and later they became theatres, with plays staged in galleried yards. Below the inn came the tavern, chiefly a town institution that sold wine, and sometimes food, to merchants and gentlemen. Wine was imported and costly, so the tavern had status and was more closely watched by the authorities; at times the number of taverns in London and other towns was restricted by statute. At the bottom was the alehouse, by far the most numerous, serving ale and later beer to the labouring population, often from a domestic room. In the sixteenth century the state took a closer interest in alehouses, which officials worried about as haunts of vagrants, gamblers and the disorderly. An Act of 1552 required alehouse keepers to be licensed by justices of the peace, giving local magistrates the gatekeeping role that, in altered forms, lasted until the twenty-first century. Through the seventeenth and eighteenth centuries the categories blurred. Alehouses grew larger and more respectable; inns added public bars; taverns lost ground as beer and spirits replaced wine. The phrase 'public house' came into use for a house open to the public for drinking, and by the nineteenth century 'pub' was everyday speech. Yet traces of the old order linger in names, in the coaching inn that still lets rooms, in the hotel bar that feels a cut above, and in the sense, never quite lost, that a pub's licence is a privilege granted by the community rather than a simple right to trade. - Inns provided beds and stabling; taverns sold wine; alehouses sold ale and beer. - An Act of 1552 required alehouse keepers in England to be licensed by justices of the peace. - Galleried inn yards were used as playing spaces before purpose-built theatres became common. - The term 'public house' gave rise to the everyday abbreviation 'pub' by the nineteenth century. #### Coaching inns The golden age of the coaching inn ran from the mid-eighteenth century to the 1840s, when better roads and faster coaches briefly made Britain a country that travelled by horse at speed. Turnpike trusts, local bodies that charged tolls to maintain stretches of road, spread rapidly in the eighteenth century, and with smoother surfaces came scheduled stagecoaches and, from 1784, mail coaches carrying post under contract to the Post Office. Every journey needed stops at regular intervals to change horses, feed passengers and sometimes put them up overnight, and the coaching inn grew to meet that need. The classic building is easy to picture because so many survive: an archway wide enough for a coach, opening into a yard surrounded by stables and outbuildings, with the inn proper fronting the street, its dining room, bar and bedrooms above. A great London inn might keep hundreds of horses. The business was demanding and highly organised. Coaches ran to timetables, ostlers had minutes to change teams, and the innkeeper's reputation rested on good beds, a warm fire and a dinner on the table when the coach came in. Writers loved these places. Dickens, who had travelled by coach as a young reporter, filled his early novels with them, and the coaching inn became a byword for English comfort and bustle. The end came quickly. Railways spread through the 1830s and 1840s and within a couple of decades long-distance coaching had largely collapsed. Some inns failed outright; others survived by serving local trade, or as hotels near stations; many became the 'Railway Arms' or the 'Station Hotel' in spirit if not in name. A later revival came with the motor car in the twentieth century, when the old roads filled again and coaching inns found new life as roadside hotels and restaurants. Today many former coaching inns are listed buildings and remain working pubs with rooms, their archways now leading to car parks rather than stables, but still recognisably built for arrival. - Turnpike trusts, which charged tolls to maintain roads, expanded greatly in eighteenth-century Britain. - Mail coaches began carrying post in 1784. - A typical coaching inn has a carriage arch leading to a rear yard of stables and outbuildings. - Railway expansion in the 1830s and 1840s caused the rapid decline of long-distance coaching. #### The gin craze Between roughly the 1720s and the early 1750s, London went through what contemporaries called a gin craze, and it remains one of the most vivid episodes in the history of British drinking. Gin and its Dutch ancestor genever had been known in England for decades, but policy in the late seventeenth century, including restrictions on French brandy imports and encouragement for English distilling to use surplus grain, made cheap spirits widely available. Distilling was lightly regulated, and spirits were sold not only in dram shops but from barrows, cellars and back rooms. Consumption among the urban poor rose sharply, and so did alarm. Reformers, magistrates and writers described gin as a destroyer of families, health and labour discipline, and the anxiety was real even if some of the most lurid claims were exaggerated. Parliament responded with a series of Gin Acts. The Act of 1736 imposed a heavy licence fee and duty that was meant to price gin out of reach, but it proved unenforceable; it was widely evaded, informers who reported illegal sellers were attacked by crowds, and it was eventually softened. A more workable Act in 1751 raised duties, restricted retail sales to licensed premises and stopped distillers from selling directly to the public. The same year, William Hogarth published his print 'Gin Lane', set beside the more cheerful 'Beer Street', a piece of propaganda contrasting ruinous spirits with wholesome English beer. Consumption fell in the following years, helped by higher grain prices as well as the law. The gin craze matters to hospitality history for several reasons. It established the idea that drink was a public health and moral problem for the state to manage through tax and licensing. It cemented a lasting cultural distinction between beer as respectable and spirits as dangerous. And it shaped the reputation of gin itself, which spent much of the following two centuries trying to climb out of the gutter Hogarth drew for it. - The gin craze is generally dated from the 1720s to the early 1750s, centred on London. - The Gin Act of 1736 imposed heavy licence fees but proved largely unenforceable. - The Gin Act of 1751 restricted retail sale to licensed premises and is credited with helping consumption fall. - Hogarth's prints 'Gin Lane' and 'Beer Street' were published in 1751. #### The Beerhouse Act 1830 Few pieces of legislation changed the British drinking landscape as quickly as the Beerhouse Act of 1830. Its aim was partly moral and partly economic: to wean the working population off spirits by making beer cheaper and more widely available, and to break the grip of the big brewers and the magistrates who controlled licensing. The same year, the duty on beer was abolished. Under the Act, any ratepayer in England and Wales could pay a modest fee to the excise and open their house to sell beer and cider, without needing a licence from the justices. Spirits remained the preserve of fully licensed public houses. The response was enormous. Within months, many thousands of new beerhouses had opened, most of them in ordinary terraced houses, run by people who often had another trade during the day. The Reverend Sydney Smith is often quoted as saying that everybody was drunk, a quip that captures the public mood whether or not it is entirely fair. In practice, the beerhouse became a fixture of the growing industrial towns, a small and informal neighbourhood drinking room close to the streets where workers lived. Critics, including temperance campaigners and established publicans, complained of disorder, late hours and unregulated premises, and the Act was progressively tightened. Further legislation in the following decades distinguished between beer sold for drinking on and off the premises, and the Wine and Beerhouse Act of 1869 brought beerhouses back under the control of magistrates. Many beerhouses later obtained full licences and became corner pubs; others closed as standards rose. The long-term legacy is visible on the map. The density of small street-corner locals in many Victorian neighbourhoods owes a great deal to the beerhouse boom, and so does the tradition of the backstreet boozer as a domestic-feeling room rather than a grand establishment. The 1830 Act is also a classic case study in unintended consequences: a measure designed to promote temperance through beer produced a surge in drinking places that took forty years to rein in. - The Beerhouse Act 1830 allowed any ratepayer in England and Wales to sell beer and cider on payment of an excise fee. - Beer duty was abolished in the same year, 1830. - Beerhouses could not sell spirits, which remained restricted to fully licensed premises. - The Wine and Beerhouse Act 1869 returned beerhouses to the control of licensing magistrates. #### Victorian gin palaces In the late 1820s and 1830s, a new kind of drinking place appeared in London that startled observers with its glamour. The gin palace was a spirit shop transformed: plate glass windows, gas lighting, polished mahogany, gilt lettering, etched and cut glass, and a long counter where customers stood to be served quickly. Its appearance coincided with the Beerhouse Act of 1830, and one argument runs that spirit retailers, facing competition from a flood of cheap beerhouses, invested heavily in spectacle to draw trade. Dickens described the gin shops of London in his early sketches with a mixture of fascination and disapproval, contrasting the dazzling lamps with the poverty of the streets around them. The gin palace's real legacy, though, was architectural. Its features, the long bar counter, the gleaming back fitting with bottles and mirrors, the generous use of glass and light, flowed into the design of the Victorian public house as it reached its peak in the late nineteenth century. The great pub-building boom of the 1890s, fuelled by brewers competing for licences and willing to spend lavishly, produced interiors that are now among the most admired in Britain: island bars that served several small rooms at once, snob screens that let drinkers order without being seen by the staff, decorative tiles, embossed ceilings and brilliant-cut mirrors. These rooms were divided by class and purpose, with public bars, saloons, private bars and snugs, each priced and furnished differently. Much of this heritage was lost in the twentieth century to modernisation, opening up of interiors and redevelopment, and conservation bodies including CAMRA have since campaigned to identify and protect the surviving historic interiors. For anyone telling the story of British pub design, the gin palace is the moment the drinking room stopped being a domestic space and became a piece of theatre, designed to be seen, built to impress, and lit to shine against the dark of a Victorian street. - Gin palaces emerged in London around the late 1820s and 1830s. - Characteristic features included plate glass, gas lighting, mahogany counters and decorative mirrors. - The late Victorian pub-building boom peaked around the 1890s. - Victorian pubs were often divided into separate rooms such as the public bar, saloon and snug. #### Temperance and the licensing restrictions of the First World War The temperance movement was one of the great mass movements of nineteenth-century Britain, and its influence on the pub was profound even though it never achieved prohibition. Early campaigners targeted spirits, then many moved to total abstinence, with the word 'teetotal' popularised in the 1830s in Preston. Organisations such as the Band of Hope enrolled children, chapels and Nonconformist churches gave the cause moral force, and the United Kingdom Alliance pressed for local powers to ban drink sales altogether. Temperance supporters opened coffee taverns and cocoa rooms as sober alternatives, and pushed for restrictions on opening hours. Wales gained Sunday closing in 1881, a measure that shaped Welsh drinking life for a century. The decisive change, however, came with war. In 1914 the Defence of the Realm Act gave the government sweeping powers, and anxiety about drunkenness among munitions workers led to severe restrictions. Opening hours were cut drastically, with afternoon closing introduced, beer was weakened, and the practice of 'treating', buying rounds for others, was banned in many areas. David Lloyd George famously declared that drink was doing more damage than the German submarines, a line often quoted to show the mood. The most remarkable experiment was the State Management Scheme, under which the government took over breweries and pubs around Carlisle and in some other areas from 1916, close to a large munitions works. The state-run pubs were rebuilt or redesigned to encourage food, seating and moderation, and the scheme survived until the early 1970s. The wartime restrictions on hours were largely carried into peacetime by the Licensing Act 1921, and the familiar pattern of afternoon closing, with time called in the afternoon and again at night, became part of British life for most of the twentieth century. It was not until 1988 that pubs in England and Wales were allowed to open throughout the afternoon. In other words, the closing times that shaped generations of drinking habits were not a long tradition but an emergency measure that outlived its emergency by seventy years. - The word 'teetotal' is associated with temperance campaigners in Preston in the 1830s. - Sunday closing of pubs in Wales was introduced in 1881. - The Defence of the Realm Act 1914 enabled wartime restrictions on drinking hours. - The State Management Scheme took over pubs and breweries around Carlisle from 1916 and lasted until the early 1970s. - All-day opening in England and Wales was permitted from 1988. #### The tied house system If one idea explains the economics of the British pub over the last two centuries, it is the tie. A tied house is a pub owned or leased by a brewer or pub company that requires the publican to buy beer, and often other drinks, from that owner. The arrangement grew through the nineteenth century as brewers realised that controlling outlets guaranteed sales. After licensing was tightened from 1869 and magistrates became reluctant to grant new licences, existing licensed premises became scarce and valuable, and brewers competed fiercely to buy them, sometimes paying very high prices in the 1890s. Many brewers turned themselves into limited companies to raise capital for these purchases, and by the early twentieth century most English pubs were tied to a brewery. The tied model had real advantages for brewers: guaranteed distribution, control over presentation and the ability to invest in buildings. It also shaped the job of running a pub. Many tied pubs were run by managers on salary, while others were let to tenants who paid rent and bought their beer from the landlord, typically at a price above the open market. Supporters argued that low rents offset the higher beer prices and gave people with little capital a route into running their own business. Critics argued that the tie limited choice for drinkers, squeezed publicans and shielded big brewers from competition. In the twentieth century, mergers concentrated ownership among a handful of national brewing groups, and by the 1980s regulators were seriously worried. The Monopolies and Mergers Commission investigation that led to the Beer Orders of 1989 was directed at exactly this system. The result was not the end of the tie but its transformation, with large pub companies rather than brewers becoming the main owners of tied estates. Debate about fairness continued, and in 2016 a statutory Pubs Code for England and Wales came into force, with an adjudicator and, for tenants of the largest pub-owning businesses, the option in certain circumstances to request a market-rent-only arrangement free of the tie. - A tied house must buy its beer, and often other products, from the brewer or company that owns it. - Competition for scarce licences in the late nineteenth century drove brewers to buy pubs at high prices. - Tied pubs may be run by salaried managers or by tenants who pay rent. - The statutory Pubs Code for England and Wales came into force in 2016, with a Pubs Code Adjudicator. #### The Beer Orders 1989 By the late 1980s, a small number of national brewers owned most of Britain's beer production and a large share of its pubs, and the government's competition watchdog concluded that this was bad for drinkers. The Monopolies and Mergers Commission reported in 1989 that a complex monopoly existed in the supply of beer, sustained by the brewers' ownership of tied pubs. Its recommendations were tougher than the government eventually adopted, but the resulting measures, known as the Beer Orders, still transformed the industry. In broad terms, brewers that owned more than two thousand pubs had to free from the tie, or sell, a large number of pubs above that threshold, and tenants of big brewers were allowed to stock a guest beer from another supplier, initially a cask-conditioned ale. The idea was to open up pubs to competing brewers and lower prices. What happened next is one of the great case studies of regulation meeting markets. Rather than leading to thousands of independent free houses, the Beer Orders prompted the big brewers to sell pubs in large packages. New pub-owning companies, financed by banks and later by private equity and securitised debt, bought these estates and ran them as tied pubs of their own, buying beer at volume discounts and selling it on to tenants. Over the 1990s the national brewers gradually withdrew from brewing or from pub ownership, splitting into separate businesses. Brands and breweries passed to international groups, and the 'pubcos' grew to dominate pub ownership. Critics argue that the Beer Orders ultimately concentrated pubs in the hands of property-focused companies with heavy debts, contributing to rent pressures and closures in the 2000s. Supporters point to the growth of guest beers, the expansion of independent brewers and greater choice behind the bar. Either way, the modern landscape of Greene King, Stonegate, Admiral and their peers, alongside thousands of small breweries, cannot be understood without them. The Beer Orders were revoked in 2003, by which time the industry they had targeted had already ceased to exist in its old form. - The Monopolies and Mergers Commission reported on the supply of beer in 1989. - The Beer Orders limited the number of tied pubs national brewers could hold and introduced a guest beer right for their tenants. - Large pub companies, or 'pubcos', emerged in the 1990s by buying estates sold by brewers. - The Beer Orders were revoked in 2003. #### The real ale movement and CAMRA In the early 1970s, British beer was changing fast, and not in a direction many drinkers liked. Big brewers were promoting keg beer, filtered, pasteurised and served under gas pressure, because it was consistent, travelled well and was easier for pubs to look after than traditional cask beer, which continues to condition in the cellar and has to be handled with skill. Brands such as Watney's Red Barrel became symbols of a homogenised product pushed by a handful of national companies. In 1971 four young men from the north-west of England founded a group that became the Campaign for Real Ale. The phrase 'real ale' was coined to describe beer that undergoes secondary fermentation in the container from which it is served, without extraneous carbon dioxide. CAMRA grew quickly into one of the most successful consumer campaigns in British history, with branches across the country, the Good Beer Guide first published in 1974, and beer festivals including the Great British Beer Festival. Its campaigning helped save traditional cask beer from what looked like possible extinction, encouraged a wave of small breweries in the late 1970s and 1980s, and lent weight to the competition concerns that culminated in the Beer Orders of 1989. CAMRA also took up the cause of the pub itself, campaigning against closures, for the protection of historic pub interiors through its National Inventory, and for changes to tax such as Small Brewers' Relief, introduced in 2002, which lowered duty for small producers. The movement has had its tensions. Some drinkers and brewers from the craft beer wave of the 2000s saw CAMRA as too focused on cask and suspicious of keg, even high-quality keg beer, and the organisation has debated its own scope in recent years. But its importance is hard to overstate. Without the real ale movement, the British cask tradition, which is unusual in the world, would probably survive only as a museum piece, and the soil in which the craft brewing boom took root would have been far thinner. - CAMRA was founded in 1971 and adopted the name Campaign for Real Ale shortly afterwards. - Real ale is beer that undergoes secondary fermentation in the cask or bottle from which it is served. - CAMRA first published the Good Beer Guide in 1974. - Small Brewers' Relief, a lower duty rate for small producers, was introduced in 2002. #### Pub decline and the long squeeze The steady disappearance of pubs has been one of the most discussed changes in British communities over the past half century. Closures are not new; the number of pubs had been falling for much of the twentieth century as slums were cleared, magistrates cut licences and populations moved. But from the mid-2000s the pace and visibility of closures made 'the death of the pub' a running national story, with campaigners and trade bodies regularly publishing figures on how many were closing each week. Several pressures arrived at once. Supermarket beer became dramatically cheaper than beer in pubs, encouraging drinking at home. The ban on smoking in enclosed public places in 2007 changed the habits of some regular customers. The financial crisis of 2008 and the recession that followed hit discretionary spending and, crucially, the highly leveraged pub companies created after the Beer Orders, some of which sold pubs to reduce debt. Rising business rates, beer duty increases under the duty escalator of 2008 to 2013, and the higher land values of pubs as housing or retail sites all added to the strain. Many closures were of wet-led locals in towns and estates, while food-led pubs in good locations often fared better. Social change mattered too: younger people drank less on average than previous generations, and leisure time spread across many more options. The response came on several fronts. The Localism Act 2011 allowed communities to list pubs as Assets of Community Value, giving them time to bid if the pub came up for sale, and planning rules in England were tightened so that changing a pub to another use generally required permission. Community-owned pubs, often supported by the Plunkett Foundation, multiplied. The pandemic of 2020 and 2021, followed by energy and cost-of-living pressures, renewed the alarm. Telling this story well means resisting easy nostalgia: the pub has been squeezed and reinvented many times, and the question is always which kinds of pub, in which places, are closing, and what replaces them. - Pub numbers in Britain fell through much of the twentieth century, but closures accelerated in the late 2000s. - The beer duty escalator, raising duty above inflation, ran from 2008 to 2013. - The Localism Act 2011 introduced Assets of Community Value in England. - The Plunkett Foundation supports community-owned businesses including pubs. #### The smoking ban 2007 For centuries, tobacco smoke was simply part of the atmosphere of a British pub, along with the fire, the beer and the noise. That changed within a little over a year. Scotland led the way, banning smoking in enclosed public places, including pubs and restaurants, from 26 March 2006, under legislation passed by the Scottish Parliament the previous year. Wales followed on 2 April 2007 and Northern Ireland on 30 April 2007. England's ban came into force on 1 July 2007, under the Health Act 2006. Before it was passed, there had been a lively debate about partial exemptions, including for pubs that did not serve food and for private members' clubs, but Parliament voted for a comprehensive ban. The arguments were familiar: health campaigners stressed the protection of staff, who could not choose to avoid smoke at work, while many publicans feared losing regulars and some smokers saw the law as an intrusion. Ireland's ban of 2004 provided a nearby example to point to on both sides. In practice, compliance was high from the start. Pubs that could do so invested in beer gardens, covered smoking shelters and heaters, and the pavement outside the door became a social space of its own. Interiors that had been yellowed by decades of smoke were redecorated, and many operators found that the cleaner air made food service and family trade more attractive. The impact on pub numbers remains debated. The ban arrived shortly before the financial crisis of 2008 and alongside rising duty and cheap supermarket alcohol, so isolating its effect is difficult, and claims on either side should be treated cautiously. What is clear is that it changed the culture of the pub, accelerating the shift towards food-led, family-friendly venues and making the pub a different kind of workplace for staff. Few people under thirty in Britain can now remember a smoky bar, and that fact alone shows how quickly a change that seemed seismic at the time came to feel like common sense. - Scotland's smoking ban in enclosed public places began on 26 March 2006. - Wales's ban took effect on 2 April 2007 and Northern Ireland's on 30 April 2007. - England's ban, under the Health Act 2006, began on 1 July 2007. - Ireland introduced a workplace smoking ban, including pubs, in 2004. #### Micropubs At a time when pubs were closing in large numbers, one of the most charming counter-stories began in a former butcher's shop in Kent. The Butcher's Arms in Herne opened in 2005, run by Martyn Hillier, who is widely credited as the pioneer of the micropub. The idea was simple: a small single room, often a converted shop, serving mainly cask ales from local breweries, with little or no music, no televisions, no lager on draught in the purist versions, and an emphasis on conversation. Hillier was helped by the Licensing Act 2003, which came into force in 2005 and made it easier to obtain a premises licence for a small venue, without the old requirement to prove need to magistrates. He spoke about the model at CAMRA events and encouraged others to copy it, and the Micropub Association was later formed to share the approach. Micropubs spread first through Kent and then across England, especially in suburban high streets and small towns where empty shop units were available and rents were modest. Their economics are distinctive: low fixed costs, a small team, often the owners themselves, short opening hours, and a loyal community of regulars. Beer is frequently served straight from casks kept in a temperature-controlled cool room visible behind the counter. Many micropubs keep seating arranged so that strangers talk to one another, a deliberate echo of the old alehouse. The movement has evolved as it has grown. Some newer venues stock craft keg beer, cider, wine and gin, and the line between micropub, bottle shop and taproom has blurred. Not every micropub has survived, and the model depends heavily on the energy of its owners. But the micropub showed that the pub was not dying so much as changing shape. At a moment when large, expensive buildings were becoming harder to run, a cheaper, smaller, more neighbourly format found its place, and in doing so returned the pub, in spirit, to something close to its medieval roots: a room, a barrel and good company. - The Butcher's Arms in Herne, Kent, opened in 2005 and is widely regarded as the first micropub. - Martyn Hillier is credited with pioneering and promoting the micropub model. - The Licensing Act 2003, in force from 2005, made licensing small premises simpler. - Micropubs typically occupy former shop units and focus on cask ale and conversation. #### The pub revival and the gastropub turn Alongside the story of closures runs a quieter story of reinvention, and it is just as important for understanding the modern British pub. From the 1990s onwards, operators of all sizes discovered that food, design and a broader welcome could make a pub viable where drink alone could not. The gastropub, discussed in its own entry, showed that a pub could serve serious cooking without losing its informality. Large chains such as JD Wetherspoon, which opened its first pub in north London in 1979, took a different route, converting banks, cinemas and other large buildings into value-led pubs with food served all day, and became one of the biggest operators in the country. Family-dining pub brands grew along main roads and on retail parks. Meanwhile, in cities, independent operators and small groups refurbished tired locals with craft beer, natural wine and carefully sourced menus. The countryside saw the rise of the 'pub with rooms', a revival of the old inn in which a handful of well-designed bedrooms help support a kitchen, often aimed at weekend visitors. In villages, community ownership grew as residents bought pubs to save them, sometimes adding a shop, post office counter or café to make the building work harder. The Pub is the Hub initiative, which supports pubs that add community services, reflects the same impulse. Technology changed the trade too, with apps for ordering at the table becoming common during the pandemic, and live sport, quizzes and events remaining important for wet-led pubs. None of this has reversed the long fall in overall numbers, and the revival is uneven, concentrated in places with spending power. But it does mean that the British pub of the 2020s is a far more varied institution than its predecessor of the 1970s. It may be a quiet micropub, a bustling sports bar, a destination restaurant, a community shop or a chain value pub, and often the most successful pubs combine several of these roles under one roof, exactly as the old inns did. - JD Wetherspoon opened its first pub in north London in 1979. - Pubs with rooms have revived the inn's combination of food, drink and lodging. - Community-owned pubs have grown significantly since the 2010s. - Pub is the Hub supports pubs that add services such as shops or post office counters. #### Licensing reform and the end of last orders For most of the twentieth century, British drinking time was set by law with a precision that visitors found baffling. Pubs in England and Wales opened at set hours, closed in the afternoon and called last orders around eleven at night, a pattern rooted in First World War emergency measures and the Licensing Act 1921. The ten-minute drinking-up time and the ringing of the bell became national rituals. Change came in stages. The Licensing Act 1988 allowed pubs in England and Wales to open all day from late morning until eleven at night, ending compulsory afternoon closing. Sunday hours were relaxed in the mid-1990s. Scotland had already liberalised substantially following the Licensing (Scotland) Act 1976, which allowed extensions to hours, and Scotland later rebuilt its system again with the Licensing (Scotland) Act 2005. The biggest change in England and Wales was the Licensing Act 2003, which came fully into force on 24 November 2005. It transferred licensing from magistrates to local authorities, created separate personal licences and premises licences, and abolished fixed national closing times. Instead, each venue could apply for the hours it wanted, subject to four licensing objectives: the prevention of crime and disorder, public safety, the prevention of public nuisance and the protection of children from harm. Supporters argued that staggered closing times would end the eleven o'clock rush in which crowds spilled into the streets at the same moment, and hoped for a more relaxed, so-called continental drinking culture. Critics in the press warned of round-the-clock drinking. In practice, relatively few pubs opened for twenty-four hours; many extended by an hour or two on weekends. Later reforms gave councils tools to push back, including cumulative impact policies and, from 2012, late night levies and early morning restriction orders. The 2003 Act remains the foundation of licensing in England and Wales, and its anniversary is a reminder that the familiar British pub schedule is far younger, and more political, than it seems. - The Licensing Act 1988 ended compulsory afternoon closing in England and Wales. - The Licensing Act 2003 came fully into force in England and Wales on 24 November 2005. - The 2003 Act moved licensing from magistrates to local authorities and set four licensing objectives. - Scotland's current regime rests on the Licensing (Scotland) Act 2005. ### Restaurants #### The birth of the restaurant in Paris Before the late eighteenth century, if you wanted to eat out in Paris you went to an inn or a cookshop, or to a traiteur, a caterer who belonged to a guild with rights to sell certain prepared dishes. Meals were typically served at a table d'hôte: one table, one sitting, one set menu at a fixed time, shared with whoever turned up. The modern restaurant overturned all of that. The word itself originally described a food rather than a place: a restaurant was a restorative broth, a concentrated bouillon thought to restore the health of delicate constitutions. In the 1760s, establishments began to appear in Paris selling these restoratives to customers who sat at their own small tables, at hours of their choosing, and ordered from a list of dishes with prices. A man named Mathurin Roze de Chantoiseau is often credited with opening one of the first such houses around 1766, though historians disagree about the details and the story has been embellished over time. What matters is the new idea: individual tables, a menu card, choice, prices known in advance, and service at any hour. By the 1780s, restaurants had become fashionable, and in 1782 Antoine Beauvilliers opened what is often described as the first truly grand restaurant, the Grande Taverne de Londres, with elegant rooms, a cellar and trained waiters. The Revolution of 1789 accelerated the spread. A popular story holds that chefs from aristocratic households, suddenly unemployed, opened restaurants; there is some truth in it, but restaurants already existed, and the abolition of the guilds in 1791 was probably as important in making it easier to trade. Paris also filled with provincial deputies and visitors needing to eat. By the early nineteenth century, the city had a large and celebrated restaurant culture, recorded by writers such as Grimod de la Reynière, often called the first restaurant critic. The format that spread across the world, including to London, is essentially this Parisian invention: a public room where strangers dine privately, choosing from a menu, and pay for exactly what they ordered. - 'Restaurant' originally meant a restorative broth before it meant a place to eat. - Restaurants offering individual tables and menus appeared in Paris in the 1760s. - Antoine Beauvilliers opened a celebrated grand restaurant in Paris in 1782. - The French guild system, which restricted who could sell prepared food, was abolished in 1791. - Grimod de la Reynière is often described as the first restaurant critic. #### Escoffier and the brigade system Walk into almost any professional kitchen in Britain today and you will hear the language of one man's system, even if nobody mentions his name. Auguste Escoffier, born in 1846 in the south of France, became the most influential chef of his era, and he is widely credited with codifying the kitchen brigade, the hierarchical division of labour that still organises restaurant kitchens. Escoffier drew on existing practice, including military organisation and the grand kitchens of the nineteenth century, but he rationalised it. Under the brigade, the head chef, or chef de cuisine, directs the kitchen; the sous chef is second in command; and chefs de partie run sections such as the saucier for sauces, the poissonnier for fish, the rôtisseur for roasts, the entremetier for vegetables and the garde manger for cold preparations, with commis chefs working beneath them. Orders called from the pass are taken up by each section, and dishes are assembled from components prepared simultaneously. The result was speed, consistency and the ability to serve large numbers of covers in hotels without chaos. Escoffier's partnership with the hotelier César Ritz was central to his fame. They worked together at the Savoy in London from around 1890, and later at the Ritz in Paris and the Carlton in London, setting standards for luxury hotel dining. His book, Le Guide Culinaire, first published in 1903, collected thousands of recipes and became a reference work for generations of chefs. He also simplified the heavy, ornamental style of earlier grand cuisine and championed service à la russe, in which dishes are served in sequence rather than all at once. Escoffier's career was not untouched by controversy; he left the Savoy amid allegations of financial irregularities. But his legacy is enormous. The brigade has been adapted, flattened and criticised for its rigidity and its sometimes brutal culture, yet the core vocabulary, the station, the pass, 'yes, chef', remains the operating language of kitchens across the world. - Auguste Escoffier was born in 1846 and died in 1935. - Escoffier is widely credited with codifying the kitchen brigade system. - He worked with César Ritz at the Savoy in London from around 1890. - Le Guide Culinaire was first published in 1903. #### Eating out in Georgian and Victorian London London was slower than Paris to adopt the restaurant, but it was never short of places to eat. In the eighteenth century, the city's diners used chophouses, where a slab of meat was cooked to order and eaten at a shared table or in a wooden booth; ordinaries, which served a fixed meal at a set hour for a set price; taverns, coffee houses and pie shops; and the street, where vendors sold everything from oysters to baked potatoes. Clubs in St James's provided dining for wealthy men. Some of these institutions survive in spirit. Rules in Covent Garden, founded in 1798, is often described as London's oldest restaurant, and Simpson's in the Strand became famous in the nineteenth century for roast meats carved at the table from silver trolleys. The French-style restaurant became more common as the Victorian period went on, particularly in hotels and in Soho, where immigrant communities, French, Italian, Swiss and others, opened restaurants that offered continental food at accessible prices. For much of the nineteenth century, respectable women rarely dined in public restaurants without male company, and the expansion of eating places that welcomed them was a significant social change. Department stores, tea rooms and, from the 1890s, establishments such as the ABC tea shops and Lyons tea shops gave women and office workers places to eat that felt safe and affordable. At the top of the market, the arrival of César Ritz and Escoffier at the Savoy from around 1890 made dining in a grand hotel restaurant fashionable for high society, and the Savoy's success helped establish the idea that elegant evening dining out could be a pleasure in itself rather than a necessity of travel. For working Londoners, the cheap cookshop, the eel and pie house and, from the mid-nineteenth century, the fish and chip shop were the true restaurants. Any history of British eating out that focuses only on the grand dining room misses the bustling, varied food culture of a city that has always fed itself on the move. - Rules in Covent Garden, founded in 1798, is often cited as London's oldest restaurant. - Chophouses and ordinaries were common eating places in eighteenth-century London. - Soho developed a reputation for continental restaurants in the nineteenth century. - Lyons opened its first tea shop in London in 1894. #### Fish and chips Fish and chips is so closely associated with Britain that it is easy to forget it is a fusion dish with immigrant roots. Fried fish was sold in London by the early nineteenth century, and the tradition of frying fish in batter is often linked to Jewish communities of Portuguese and Spanish origin, who brought a practice of frying fish to be eaten cold on the Sabbath. Dickens mentions a fried fish warehouse in Oliver Twist, published in the late 1830s. Chips, meanwhile, were sold separately, especially in the north of England, and both London and Lancashire have claims to the first shop combining the two. Joseph Malin in London is often credited with opening one of the earliest fish and chip shops in the 1860s, while John Lees is credited with selling them in Mossley, near Oldham, around the same decade; the honest answer is that the combination emerged in more than one place at about the same time. What made fish and chips a national institution was the industrial age. Steam trawlers and railways brought fresh fish quickly and cheaply from the ports to inland cities, and the dish became a hot, filling, affordable meal for working families. By the early twentieth century there were many thousands of chip shops across Britain. Fish and chips was not rationed during the Second World War, and the government regarded it as important for morale and nutrition. Regional variations have always been fierce points of pride: beef dripping in parts of the north versus vegetable oil elsewhere, haddock versus cod, scraps, mushy peas, curry sauce, or the Scottish 'chippy' tradition of the fish supper. The chip shop has also been an immigrant business throughout its history, with Jewish, Italian, Greek Cypriot, Chinese and Turkish families, among others, running shops across the country. In recent decades, rising fish prices and competition from other takeaways have challenged the trade, but the chippy remains one of Britain's most beloved forms of hospitality. - Frying fish in batter is often linked to Sephardic Jewish communities in Britain. - Fish and chip shops emerged in the 1860s, with claims for both London and Lancashire. - Railways and steam trawling made fresh fish cheap and widely available inland. - Fish and chips were not rationed during the Second World War. #### Guides and stars: Michelin and the rise of food criticism It is one of the great ironies of hospitality that the world's most famous restaurant award was invented by a tyre company. In 1900 the brothers André and Édouard Michelin published a free guide for French motorists, full of maps, garages and places to eat and sleep, intended to encourage people to drive more and so wear out more tyres. The guide evolved over the following decades. Stars for restaurants were introduced in the 1920s, and by the early 1930s the familiar three-tier system was in place: one star for a very good restaurant in its category, two for excellent cooking worth a detour, and three for exceptional cuisine worth a special journey. The guide's inspectors were anonymous and paid their own bills, a principle that gave the stars their authority. The Michelin Guide to Great Britain and Ireland was first published in its modern form in 1974, and its early lists of starred restaurants in the UK were short. In 1982 Le Gavroche in London, run by the brothers Albert and Michel Roux, became the first restaurant in Britain to receive three stars, and The Waterside Inn in Bray, run by Michel Roux, followed in 1985. Britain has developed its own guides and critics too. The Good Food Guide, founded by Raymond Postgate, was first published in 1951 and relied initially on reports from ordinary diners. Newspaper restaurant criticism grew into a distinctive British genre, often as much entertainment as assessment. Later decades brought ranking lists such as The World's 50 Best Restaurants, first published in 2002, and then the vast influence of online reviews and social media, which democratised and destabilised criticism. The relationship between chefs and guides has always been complicated. Stars can transform a restaurant's fortunes, but the pressure of keeping them is notorious, and some chefs have chosen to hand them back. For the podcast, the arc is clear: from a marketing booklet for drivers to a global currency of prestige, and then to an age in which everybody with a phone is a critic. - The first Michelin Guide was published in France in 1900 by André and Édouard Michelin. - The three-star system was in place by the early 1930s. - Le Gavroche in London became the first restaurant in Britain to gain three Michelin stars, in 1982. - The Good Food Guide was founded by Raymond Postgate and first published in 1951. - The World's 50 Best Restaurants list was first published in 2002. #### Nouvelle cuisine In the late 1960s and early 1970s, a group of French chefs began to cook in a way that seemed to reject the rich, sauce-heavy grandeur of classical cuisine, and two critics, Henri Gault and Christian Millau, gave the movement its name. Gault and Millau, who founded their own influential guide, popularised the term nouvelle cuisine in the early 1970s and in 1973 published a list of principles often summarised as the ten commandments of the new cooking. These included shorter cooking times, the use of fresh market produce, lighter sauces with less reliance on flour-thickened roux, an openness to new techniques and influences, simpler menus and a willingness to invent. Chefs associated with the movement include Paul Bocuse, Michel Guérard, the Troisgros brothers and Alain Chapel, among others, though not all of them embraced the label with equal enthusiasm. Michel Guérard's cuisine minceur, a slimming style of cooking, became one strand of the wider movement. Nouvelle cuisine also changed the look of food. Plates were composed in the kitchen rather than served from platters in the dining room, and presentation became more deliberate, more colourful and more artistic. That shift, from food assembled at the table by waiters to food plated by chefs, transferred a great deal of creative control from the front of house to the kitchen, and helped turn chefs into public figures. In Britain, the influence arrived through restaurants run by French chefs and British chefs who trained in France, and in the 1980s the style was sometimes parodied for tiny portions, swirls of coulis and very large plates. That caricature contains some truth, but it obscures the movement's lasting influence. The emphasis on seasonality, freshness, lightness and individual creativity flowed into later movements, from modern British cooking to the New Nordic cuisine of the 2000s. Whenever a chef today talks about letting ingredients speak for themselves, they are using a language nouvelle cuisine helped to establish. - The critics Henri Gault and Christian Millau popularised the term nouvelle cuisine in the early 1970s. - Gault and Millau published their principles of the new cooking in 1973. - Chefs associated with the movement include Paul Bocuse, Michel Guérard and the Troisgros brothers. - Nouvelle cuisine accelerated the shift from table-side service to plates composed in the kitchen. #### British food's reputation and the Roux generation For much of the twentieth century, British food had a poor reputation abroad and sometimes at home, and the reasons are more interesting than the jokes. Industrialisation and urbanisation in the nineteenth century had separated many people from rural food traditions. Two world wars and food rationing, which in Britain lasted from 1940 until 1954, when meat rationing finally ended, created long years of scarcity, substitution and austerity cooking. Institutional catering in schools, factories and the armed forces shaped the tastes of generations. At the same time, the upper-class ideal for fine dining was French, with menus written in French and kitchens led by French-trained chefs. Writers began to challenge the gloom. Elizabeth David's books, starting with A Book of Mediterranean Food in 1950, inspired a generation to cook with olive oil, garlic and herbs, and Jane Grigson championed English regional food. In the restaurant world, a crucial figure was the arrival of Albert and Michel Roux, French brothers who opened Le Gavroche in London in 1967 and The Waterside Inn in Bray in 1972. Their kitchens trained many of the chefs who later transformed British restaurants, and the Roux Scholarship, founded in 1984, continues to support young chefs. Through the 1980s and 1990s, a new generation emerged. Chefs including Marco Pierre White, who in 1995 became one of the youngest chefs to win three Michelin stars, along with many others, brought ambition, technique and a sometimes combative celebrity to British kitchens. Restaurants such as Bibendum, The River Café and others made London a city where people went specifically to eat. Television helped too, from Delia Smith's cookery programmes to the rise of the celebrity chef in the 1990s and 2000s. By the twenty-first century, foreign critics who once mocked British food were writing admiringly about London's restaurants, and British chefs were exploring their own heritage with pride. The reputation shifted, but the change was built on decades of work by writers, immigrants and kitchen-trained chefs. - Food rationing in Britain began in 1940 and ended with meat rationing in 1954. - Elizabeth David's A Book of Mediterranean Food was published in 1950. - Albert and Michel Roux opened Le Gavroche in London in 1967. - The Roux Scholarship for young chefs was founded in 1984. #### Modern British cooking and nose-to-tail In the 1990s, a style of cooking emerged that was confident enough to call itself Modern British, and one of its most influential expressions came from a restaurant in a former smokehouse near Smithfield Market. St. John opened in 1994, founded by Fergus Henderson with Trevor Gulliver, and its menu of offal, game and plain British ingredients, cooked simply and served without fuss, became a manifesto. Henderson's book Nose to Tail Eating, published in 1999, argued that if an animal is killed for food it is only respectful to use all of it, and dishes such as roast bone marrow with parsley salad became famous around the world. The idea was not new, of course. Thrifty British cooking had always used every part of the animal, and the revival drew on a long tradition that had been half-forgotten in an age of supermarket fillets. What was new was the context: a stark, white dining room, a restaurant culture eager for authenticity, and a generation of chefs who went on to open their own places and spread the approach. At the same time, Modern British cooking embraced seasonal produce, British cheeses and charcuterie, foraging, and the rediscovery of regional dishes and heritage breeds. Farmers' markets, the revival of Borough Market in the late 1990s, and growing interest in provenance gave chefs and diners a vocabulary of origin and season. The movement also overlapped with the gastropub, which applied similar values in an informal setting. Critics sometimes questioned what exactly 'Modern British' meant, since it could include anything from Mediterranean influences to Asian spices. That openness is arguably its strength: British cooking has always been a trading and borrowing cuisine, shaped by empire, migration and the sea. The lasting achievement of this period was to make British ingredients and traditions a source of pride rather than apology, and to give British chefs a style that was their own rather than an imitation of France. - St. John restaurant opened near Smithfield in London in 1994. - Fergus Henderson's book Nose to Tail Eating was published in 1999. - Roast bone marrow with parsley salad became St. John's signature dish. - Borough Market's revival as a retail food market gathered pace in the late 1990s. #### The gastropub The word 'gastropub' is often traced to a specific place and year: The Eagle, on Farringdon Road in Clerkenwell, London, which was taken over in 1991 by David Eyre and Mike Belben. They kept it a pub, with a bar, no bookings in the early days and no tablecloths, but cooked robust, Mediterranean-influenced food from an open kitchen behind the bar, with the menu chalked on a blackboard. Prices were modest, the atmosphere relaxed, and the food serious. The combination was a revelation. Pubs had served food before, of course, from ploughman's lunches to scampi in a basket, but the Eagle's approach treated cooking as the heart of the business without turning the pub into a formal restaurant. The term 'gastropub' was soon being used by journalists, and the model spread across London and then the country through the 1990s and 2000s. For pub owners and pub companies, the gastropub offered a way to make struggling buildings profitable at a time when drinking-only trade was declining, and food-led pubs became a significant part of many estates. Rural pubs in particular found that a good kitchen could draw visitors from miles around. By the 2000s, pubs were winning Michelin stars, a development that would have seemed improbable a generation earlier, and the line between pub and restaurant became increasingly blurred. Not everyone was pleased. Some drinkers complained that gastropubs had squeezed out the local, with tables laid for dinner where regulars once stood, and that the word itself had become a marketing label applied to any pub with a menu. Many operators now avoid it. Yet the underlying idea, a pub that cooks properly while still welcoming people who just want a pint, has become one of Britain's most important contributions to the world of casual dining, and has been copied from New York to Melbourne. - The Eagle on Farringdon Road, London, is often credited as the first gastropub. - David Eyre and Mike Belben took over The Eagle in 1991. - Gastropubs typically offer restaurant-quality cooking in an informal pub setting. - By the 2000s, some British pubs had been awarded Michelin stars. #### Curry houses and Britain's South Asian restaurants Indian food has been eaten in Britain for more than two centuries, and the curry house has become one of the country's most loved forms of hospitality. The first restaurant in London dedicated to Indian food is generally recorded as the Hindoostane Coffee House, opened around 1810 by Sake Dean Mahomed, a remarkable figure who had served in the East India Company's army and later ran a famous bathhouse in Brighton. That first venture did not last long, but curry had already entered British cookery books through the experience of empire. The modern curry house took shape mainly after the Second World War. Many of the restaurants that came to define the British 'Indian' were in fact run by people from the Sylhet region of what became Bangladesh, some of whom had worked as seamen and cooks on ships. Through the 1950s, 1960s and 1970s, these families and others from India and Pakistan opened restaurants across Britain, often taking over cafés and fish and chip shops, and developing a menu adapted to British tastes and late-night trade after the pubs closed. Dishes such as chicken tikka masala, whose exact origins are disputed and claimed by several restaurants, became staples, and the balti, associated with Birmingham, became a regional speciality. Brick Lane in east London, the Curry Mile in Manchester and many high streets became known for their restaurants. In recent decades, the sector has faced pressures, including restrictive immigration rules that made it harder to recruit chefs from South Asia, generational change as children of founders chose other careers, and competition from delivery and new formats. At the same time, a wave of restaurants has presented regional Indian, Pakistani, Bangladeshi and Sri Lankan cooking with fresh confidence, from street-food inspired cafés to Michelin-starred dining rooms. The story of the curry house is a story about migration, family labour, adaptation and enormous cultural influence, and it is impossible to tell the history of British hospitality without it. - The Hindoostane Coffee House, opened around 1810 by Sake Dean Mahomed, is often cited as London's first Indian restaurant. - Many British curry houses were founded by people from the Sylhet region of present-day Bangladesh. - Chicken tikka masala's precise origin is disputed and claimed by several restaurants. - The balti is closely associated with Birmingham. #### Chinese, Italian and Greek Cypriot restaurants in Britain The British high street has been shaped by immigrant restaurateurs for well over a century, and three communities offer especially rich stories. Italian immigrants were running cafés, ice cream businesses and restaurants in London, Scotland and Wales from the nineteenth century. In Scotland and Wales, Italian families became famous for cafés and fish and chip shops, and in the twentieth century London's trattorias brought a relaxed, stylish informality to dining in the 1950s and 1960s, as well as the espresso bars of Soho. During the Second World War, many Italian men in Britain were interned after Italy entered the war in 1940, and the sinking of the Arandora Star, carrying internees to Canada, killed hundreds of them, a tragedy that touched many hospitality families. Chinese communities settled first around the docks in Liverpool and London's Limehouse in the late nineteenth and early twentieth centuries, often connected with shipping. After the Second World War, migration particularly from Hong Kong's New Territories led to a rapid growth of Chinese restaurants and, from the 1960s and 1970s, takeaways across Britain, including in small towns. Gerrard Street and the surrounding streets in Soho developed into London's Chinatown from the 1950s and 1960s. The menu was often adapted for British tastes, and the Chinese takeaway became a fixture of national life, while more regional cooking, from Cantonese dim sum to Sichuan, has increasingly been celebrated. Greek Cypriots, many of whom came to Britain in the mid-twentieth century, became significant in London's restaurant and catering trades, running cafés, restaurants and fish and chip shops, particularly in north London, and helped make kebabs and meze familiar. Each of these communities faced prejudice and hardship as well as success. Their restaurants were often family businesses, sustained by long hours and unpaid family labour, and they introduced generations of Britons to new flavours. Telling the history of British hospitality without them would leave out much of what makes eating out in Britain distinctive. - Italian families ran cafés, ice cream parlours and chip shops in Scotland and Wales from the late nineteenth century. - The Arandora Star, carrying Italian and German internees, was sunk in 1940 with heavy loss of life. - London's Chinatown developed around Gerrard Street from the 1950s and 1960s. - Post-war Chinese migration to Britain came substantially from Hong Kong's New Territories. #### The chain dining boom Branded restaurant chains have been part of British eating out for more than a century, but the scale and variety of the casual dining boom from the 1990s to the late 2010s was something new. The early pioneers were companies such as J. Lyons, whose tea shops from 1894 and Corner Houses offered affordable, consistent food to millions. American influence arrived after the war: Wimpy hamburger bars appeared in Britain in the 1950s, and McDonald's opened its first UK restaurant in Woolwich, south-east London, in 1974. Pizza Express, founded by Peter Boizot, opened its first restaurant in Soho in 1965 and became one of the defining British chains, with an emphasis on design and jazz as well as pizza. In the 1990s and 2000s, branded casual dining grew rapidly. Operators found that a tested format, menu and look could be rolled out across town centres, shopping centres and retail parks, often funded by private equity, which bought and sold restaurant groups with increasing frequency. The new chains were frequently themed by cuisine: Italian, Mexican, Asian, burger and Portuguese-style chicken among others. Nando's, which originated in South Africa, opened in Britain in the early 1990s and became a cultural phenomenon. Wagamama, opened in London in 1992, popularised communal tables and noodle bars. By the mid-2010s, some observers were warning of oversupply. In 2018, a run of closures and company voluntary arrangements hit several well-known chains, and the term 'casual dining crunch' entered the trade press. Causes included rising costs, including the National Living Wage introduced in 2016, business rates, too many similar restaurants chasing the same customers, and debt from private equity ownership. The pandemic deepened the crisis for some and accelerated a shift towards smaller formats and delivery. Chains remain central to British eating out, but the boom showed both the power and the fragility of the rollout model when it outgrows real demand. - Pizza Express opened its first restaurant in Soho, London, in 1965. - McDonald's opened its first UK restaurant in Woolwich in 1974. - Wagamama opened its first restaurant in London in 1992. - A wave of casual dining closures and restructurings in 2018 became known as the casual dining crunch. - The National Living Wage for workers aged 25 and over was introduced in April 2016. #### Cafés, caffs and the British greasy spoon Before the coffee chains, Britain's most democratic place to eat was the café, pronounced, with affectionate disregard for French, as 'caff'. Its roots lie partly in the temperance-era coffee taverns and cocoa rooms of the late nineteenth century, partly in the dining rooms and tea shops that fed office workers and labourers, and partly in the cafés opened by Italian immigrants in the early twentieth century. Many of the classic London cafés of the mid-twentieth century were run by Italian families, and their Formica tables, chrome espresso machines, tiled walls and steamed-up windows became part of the city's visual memory. The working man's café, or greasy spoon, served cooked breakfasts, mugs of strong tea, sandwiches and simple hot meals at low prices, often from very early in the morning, to builders, drivers, market porters and night workers. Transport cafés along the trunk roads fed lorry drivers in the decades before motorway services, and some became places of pilgrimage for motorcycle culture. In the 1950s, the espresso bar arrived in Soho, and with it a youthful scene of coffee, jukeboxes and skiffle that helped launch British pop music. The traditional café has declined in recent decades, squeezed by rising rents, changing tastes, the growth of chain coffee shops from the 1990s and the closure of the industries that once fed it. Several much-loved London cafés with intact mid-century interiors have closed, prompting efforts to document and celebrate those that remain. Yet the format endures, often now run by families from Turkish, Kurdish, Portuguese and other communities, and the full English breakfast remains a national ritual. The café also sits at the heart of debates about gentrification, as old caffs give way to specialty coffee shops with sourdough and flat whites. Both are forms of hospitality, but they speak to different neighbourhoods. A good episode on the greasy spoon is really an episode about class, migration and the everyday life of British cities. - Many mid-twentieth-century London cafés were run by Italian immigrant families. - Espresso bars spread in Soho in the 1950s. - Transport cafés served lorry drivers on trunk roads before motorway service areas became common. - Britain's first motorway service area opened on the M1 at Watford Gap in 1959. #### Street food and the market revival Street food is the oldest form of eating out in British cities, from the pie sellers and oyster stalls of the eighteenth century to the baked potato men, hot chestnut vendors and whelk stalls of Victorian London described by the journalist Henry Mayhew in the mid-nineteenth century. Many of these trades faded in the twentieth century under tighter regulation, rising rents and changing habits, leaving burger vans, ice cream vans and seaside stalls as the most visible survivors. In the late 2000s and early 2010s, a new street food movement emerged, and it changed the British restaurant scene. Several forces lay behind it. The financial crisis of 2008 made bank loans for restaurants hard to obtain, and a market stall or converted van offered a cheaper way for cooks to start a business. Social media allowed traders to build followings and announce where they would be. Organised markets and events, in London and in cities such as Manchester, Bristol and Glasgow, created regular venues, and some later developed into permanent food halls with multiple traders under one roof. The movement drew on many cuisines, from American barbecue and burgers to Korean, Filipino, Caribbean, Ethiopian and regional Indian food, and it gave a platform to cooks from immigrant communities and to self-taught chefs who might not have found a place in traditional kitchens. A notable pattern was the 'graduation' of successful traders to bricks-and-mortar restaurants, a route that produced several well-known British restaurant brands in the 2010s. The British Street Food Awards, launched in 2010, helped to raise the profile of the scene. Critics point out that street food became gentrified and expensive in some markets, and that food halls are often developments driven by property owners rather than traders. Still, the street food boom lowered the barriers to entry in hospitality for a whole generation and made casual, global food central to how Britons eat out. - Henry Mayhew documented London street food sellers in the mid-nineteenth century. - The financial crisis of 2008 made restaurant finance harder, encouraging low-cost street food start-ups. - The British Street Food Awards were launched in 2010. - Many successful street food traders later opened permanent restaurants. #### The delivery era Takeaway food has a long history in Britain, from the chip shop wrapped in paper to the Chinese and Indian takeaways that spread from the 1960s and 1970s, and the pizza delivery boom of the 1980s and 1990s. What changed in the 2010s was the platform. Just Eat, founded in Denmark in 2001, grew in the UK as an online marketplace that let customers order from local takeaways. Deliveroo, founded in London by Will Shu and Greg Orlowski, launched in 2013 and built a fleet of self-employed couriers on bicycles and mopeds to deliver food from restaurants that had never offered delivery before. Uber Eats entered the British market in 2016. Together, these platforms made it possible to order from a wide range of restaurants via an app and have food delivered within an hour or less. The economics were challenging for restaurants. Platforms typically charged significant commission on each order, and operators had to decide whether delivery sales added profit or simply moved customers from tables to sofas. Some restaurants developed 'dark kitchens' or 'virtual brands', kitchens or menus that existed only for delivery, and platforms themselves built shared kitchen sites. The employment model for couriers became a major legal and political issue, with debates about whether riders were genuinely self-employed and what rights they should have. The pandemic lockdowns of 2020 and 2021 turned delivery from an option into a lifeline, as dine-in hospitality was closed for long periods and many restaurants that had never offered takeaway suddenly began. Meal kits and 'finish at home' boxes from high-end restaurants became a notable phenomenon. After reopening, delivery remained a substantial part of the market, though growth slowed and the platforms consolidated, with Just Eat Takeaway formed through merger and later corporate deals. For restaurants, the delivery era raised hard questions about brand, packaging, margins and the meaning of hospitality without a room. - Just Eat was founded in Denmark in 2001. - Deliveroo was founded in London and launched in 2013. - Uber Eats launched in the UK in 2016. - Dark kitchens and virtual brands produce food solely for delivery. #### Restaurants in the age of Instagram and the open kitchen Some changes in restaurant history arrive through law or economics; others arrive through the way people see. From the 1990s onwards, the kitchen moved from behind closed doors into view. Open kitchens had existed before, in grills and diners, but in modern restaurants they became a statement that the cooking had nothing to hide and that chefs were performers. The rise of television cookery and celebrity chefs in the 1990s and 2000s made the chef a star and the kitchen a stage. Programmes showing the pressure of service, and later competitive cooking shows, shaped what the public imagined a restaurant to be. Then, from around 2010, smartphones and social media, especially Instagram, launched in 2010, changed the relationship between diners and restaurants again. Dishes were photographed before they were eaten, and restaurants found themselves designing plates, lighting, crockery and even walls with the camera in mind. A single viral image could fill a restaurant for months. Influencers became part of restaurant marketing, raising questions about disclosure and free meals that the UK's Advertising Standards Authority and Competition and Markets Authority have addressed through guidance on labelling advertising. Booking platforms and review sites shifted power further. Small restaurants could reach customers directly, but they also faced the pressure of instant public judgement and, sometimes, unfair reviews. No-bookings policies and queues became fashionable in the 2010s, and then deposits and cancellation fees spread as restaurants tried to deal with no-shows. The pandemic accelerated digital ordering and payments, including QR code menus. Critics of this era argue that it rewards looks over flavour and novelty over consistency, and that it adds a new layer of unpaid work for restaurants. Supporters say it has given small, independent and diverse operators a voice. Either way, a restaurant today is judged not only in the room but in a feed, and that has quietly changed how hospitality is designed. - Instagram launched in 2010 and quickly influenced restaurant design and marketing. - UK regulators require influencer advertising, including gifted meals in many cases, to be clearly labelled. - Open kitchens became a defining feature of many modern restaurants from the 1990s. - Deposits and cancellation fees spread as restaurants sought to reduce no-shows. ### Hotels #### The grand hotel The grand hotel was a nineteenth-century invention, and it changed what people expected from a night away from home. Before it, travellers stayed in inns, lodging houses or the homes of acquaintances, and the quality of comfort varied wildly. The grand hotel offered something different: a large, purpose-built building with dozens or hundreds of bedrooms, public rooms for dining, dancing and meeting, uniformed staff in great numbers, and standards that could be relied upon. The model developed in several countries at once. In the United States, large hotels such as the Tremont House in Boston, opened in 1829, introduced innovations including indoor plumbing and bellboys. In Europe, spa towns and resorts saw grand hotels built for the wealthy, and the expanding railways made it possible for more people to travel. In London, the arrival of the grand hotel was closely linked to the railways and later to theatre impresarios and businessmen. The Savoy, built by Richard D'Oyly Carte and opened in 1889, set new standards with electric lighting throughout and many private bathrooms, and its association with César Ritz and Auguste Escoffier made it a byword for luxury. The Ritz in London opened in 1906 and Claridge's was rebuilt in the 1890s. Grand hotels were also feats of engineering and organisation, with lifts, kitchens capable of feeding hundreds, laundries and complex hierarchies of staff behind the scenes. They became social stages where the rich were seen, where women could dine and dance in public with respectability, and where new money could mingle with old. The twentieth century brought challenges: wars, requisitioning, changing tastes and the cost of maintaining enormous buildings. Some closed or were converted; others reinvented themselves with refurbishments and new ownership. Today the surviving grand hotels of London and the regional cities trade heavily on heritage and service, and for the podcast they offer a window into the whole hidden world of hospitality labour that made their glamour possible. - The Tremont House in Boston, opened in 1829, is often cited as an early first-class hotel. - The Savoy in London opened in 1889, built by Richard D'Oyly Carte. - The Ritz in London opened in 1906. - Grand hotels depended on large and hierarchical back-of-house workforces. #### César Ritz and the idea of luxury service César Ritz was born in 1850 in a small village in the Swiss canton of Valais, the youngest of a large peasant family, and rose through the ranks of hotel work to become the most famous hotelier of his age. He worked as a waiter and manager in Paris and at fashionable resorts, learning how the very rich liked to be treated and how to anticipate their wishes. His partnership with the chef Auguste Escoffier, which began in the 1880s, combined front-of-house brilliance with a revolution in the kitchen. Richard D'Oyly Carte recruited Ritz to run the Savoy in London around 1889 to 1890, and Ritz and Escoffier made it one of the most fashionable places in the city, encouraging high society to dine out in the evenings, including women, whose presence in public dining rooms gave the hotel a new kind of glamour. Their departure from the Savoy in 1898 was acrimonious and involved allegations of financial impropriety, a reminder that the history of hospitality is not only a tale of polish. Ritz went on to open the Hôtel Ritz in Paris in 1898 and was associated with the Carlton in London. The Ritz London opened in 1906, by which time his health had broken down; he spent his later years in ill health and died in 1918. His wife Marie-Louise Ritz played a major role in the business and in sustaining the brand. Ritz's ideas about service still shape luxury hospitality: the importance of knowing guests' preferences, the use of discreet, highly trained staff, an emphasis on hygiene and modern comforts such as private bathrooms, and an atmosphere of effortless elegance. The phrase 'putting on the Ritz', from an Irving Berlin song of the 1920s, shows how his name came to stand for luxury itself. For an episode on what hospitality really means, Ritz is a perfect starting point: the son of a farmer who understood that luxury is less about gold and marble than about making guests feel known. - César Ritz was born in 1850 in the Swiss canton of Valais and died in 1918. - Ritz managed the Savoy in London from around 1889 to 1898. - The Hôtel Ritz in Paris opened in 1898. - His wife Marie-Louise Ritz played a central role in the business. #### Railway hotels The railway age transformed travel in Britain, and with it came a new kind of hotel. As railway companies built their great termini in the mid-nineteenth century, many of them also built hotels next to or in front of their stations, offering passengers a comfortable place to sleep on arrival and adding a grand architectural face to the station itself. The Great Western Royal Hotel at Paddington opened in 1854. The most famous of all is the Midland Grand Hotel at St Pancras, designed by George Gilbert Scott in a lavish Gothic style and opened in the 1870s. It was luxurious for its time, but its design quickly became dated, it lacked some of the modern conveniences later expected, and it closed as a hotel in 1935, becoming railway offices. After a long campaign to save the building from demolition in the 1960s, and decades of decline, it was restored and reopened as a hotel in 2011, now known as the St Pancras Renaissance. Railway hotels were built across the country, from Edinburgh's North British Hotel, opened in 1902 and now the Balmoral, to the Midland Hotel in Manchester and grand hotels at resorts like Gleneagles, opened by the Caledonian Railway in 1924. The railway companies also built hotels at ports and in holiday destinations to encourage tourism. After the railways were nationalised in 1948, the hotels passed into state ownership under British Transport Hotels. In the early 1980s they were sold off as part of the government's privatisation policies, and many were acquired by private hotel groups. Some railway hotels remain among the most impressive buildings in their cities, while others have been converted to offices or apartments. The story of railway hotels is a story about connection: how the railways created a new kind of traveller, the business visitor and the leisure tourist, and how hospitality followed the tracks, much as it had once followed the Roman roads and the coaching routes. - The Great Western Royal Hotel at Paddington opened in 1854. - The Midland Grand Hotel at St Pancras closed as a hotel in 1935 and reopened after restoration in 2011. - Gleneagles Hotel was opened by the Caledonian Railway in 1924. - British Transport Hotels was privatised in the early 1980s. #### Seaside boarding houses and the holiday camp For millions of British families in the nineteenth and twentieth centuries, a holiday meant the seaside, and the seaside meant a boarding house or guest house. The railways made resorts such as Blackpool, Scarborough, Brighton, Margate and Llandudno accessible to working families, especially after the Bank Holidays Act 1871 gave workers fixed days off, and northern mill towns developed traditions of 'wakes weeks', when whole towns took their holidays at the same time. The boarding house, often run by a landlady in a terraced house, became a fixture of seaside life, with its famously strict rules about meal times, curfews and the use of rooms during the day. Many seaside landladies were formidable businesswomen running substantial enterprises. Between the wars, a new idea arrived. Billy Butlin, who had worked in fairgrounds, opened his first holiday camp at Skegness in 1936, offering all-inclusive holidays with chalets, meals, entertainment and activities at an affordable price. Holiday camps were not entirely new, but Butlin's model, with its Redcoats, organised fun and vast scale, became a national phenomenon. The Holidays with Pay Act 1938 encouraged more workers to have paid leave and helped the industry grow. Pontins, founded by Fred Pontin after the Second World War, and Warner's competed for the same market. During the war, some camps were used for military purposes. The post-war decades were the heyday of the holiday camp and the seaside guest house. From the 1960s and 1970s, cheap package holidays to Spain and elsewhere, made possible by charter flights, drew many British families abroad, and the traditional seaside resorts began a long decline. Guest houses closed or became hostels and flats, and some resorts struggled with deprivation. In recent years, some coastal towns have seen revivals through boutique hotels, culture and staycations, notably during the pandemic. The history of the seaside guest house is a history of ordinary hospitality at its most human, and of women who ran businesses long before it was common. - The Bank Holidays Act 1871 created fixed public holidays in England, Wales and Ireland. - Billy Butlin opened his first holiday camp at Skegness in 1936. - The Holidays with Pay Act 1938 encouraged paid annual leave for workers. - Package holidays abroad from the 1960s and 1970s contributed to the decline of British seaside resorts. #### Brands, franchising and the global hotel company In the second half of the twentieth century, the hotel industry was transformed by brands and franchising, and the modern landscape of familiar names on high streets, airports and motorways is the result. The American model led the way. Holiday Inn, founded by Kemmons Wilson in Memphis in 1952, offered predictable, family-friendly motel rooms with consistent standards, and grew rapidly through franchising, allowing local owners to build and run hotels under the brand in return for fees. Hilton and Sheraton expanded internationally after the Second World War, and Marriott moved from restaurants into hotels. The key innovation was the separation of owning a building from operating a hotel from owning a brand. A hotel today may be owned by an investor, run by a management company and carry the name of a global brand under a franchise or management contract. This 'asset-light' approach allowed the big brand companies to expand enormously without owning much property. British companies were part of this story. Trust Houses Forte, formed in 1970, was a major hotel and catering group before its takeover by Granada in 1996. Bass, the brewer, bought Holiday Inn's international business in the late 1980s, and through later restructuring this became InterContinental Hotels Group, headquartered in Britain and one of the largest hotel companies in the world. Whitbread, another brewer, built Premier Inn into the UK's largest hotel brand by number of rooms. Brands promise consistency and reach, through loyalty programmes and global booking systems, and they reduce the risk of the unknown for travellers. Critics argue that they can make hotels feel interchangeable and that independent hotels face high costs from commission and competition. The rise of online travel agents such as Booking.com and Expedia from the late 1990s and 2000s added another powerful intermediary. For hospitality workers, the brand era brought structured training and career paths across many countries, as well as standardised ways of working that some find stifling and others find reassuring. - Holiday Inn was founded by Kemmons Wilson in Memphis in 1952. - Modern hotel companies often separate ownership, management and branding of a hotel. - InterContinental Hotels Group traces part of its history to Bass's acquisition of Holiday Inn's international business in the late 1980s. - Granada took over Forte in 1996. #### The budget hotel revolution For much of the twentieth century, a cheap night away in Britain meant a guest house, a bed and breakfast, a tired town-centre hotel or a motel on a trunk road. In the 1980s and 1990s, the budget hotel chain transformed that market. The model was simple: standardised rooms, often built to a set design, located near motorways, airports and town centres, with limited facilities, a clean comfortable bed and a fixed, low price. Many sites had a restaurant or pub next door, often owned by the same company. Travelodge opened its first UK hotel in 1985, initially under Trusthouse Forte, at a site near a service area. Premier Inn grew from Whitbread's earlier budget brands, including Travel Inn, launched in 1987, and became the largest hotel brand in the UK by rooms. Ibis, part of the French group Accor, and other European brands also expanded in Britain. The budget model succeeded by removing what many guests did not value, such as room service, minibars and elaborate public spaces, and investing in what they did, such as good beds, showers, quiet rooms and convenient locations. Technology helped, with central booking systems and later online booking reducing distribution costs and enabling dynamic pricing. Budget hotels also changed travel behaviour, making short city breaks, weddings, concerts and business trips more affordable. They became significant employers, often with more streamlined staffing models than traditional hotels. Critics point to identikit design and the impact on small independent B&Bs and guest houses, which found it hard to compete on price and visibility. In response, some budget brands have invested in better design and food, and the line between budget and mid-market has blurred, with 'affordable lifestyle' hotels offering small rooms with stylish public spaces. The budget hotel is rarely romantic, but it may be the single most influential hotel format in modern British life. - Travelodge opened its first UK hotel in 1985. - Whitbread launched Travel Inn in 1987, which later became Premier Inn. - Premier Inn is the UK's largest hotel brand by number of rooms. - Budget hotels typically strip out services such as room service to keep prices low. #### Boutique hotels The term 'boutique hotel' emerged in the 1980s to describe small, stylish, independent hotels that offered personality rather than predictability, and Britain played a part in its birth. Blakes Hotel in South Kensington, created by the designer Anouska Hempel and opened in 1978, is often cited as one of the earliest examples of a designer hotel, with its dramatic interiors and intimate scale. In New York, Ian Schrager and Steve Rubell, who had run the nightclub Studio 54, opened Morgans Hotel in 1984 with interiors by Andrée Putman, and Schrager later worked with the designer Philippe Starck on hotels including the St Martins Lane and the Sanderson in London around 2000. Kit and Tim Kemp's Firmdale Hotels, starting with Dorset Square in the 1980s, built a distinctive English boutique style. The boutique hotel was defined less by a size limit than by an attitude: strong design, a sense of place, individual service, often a fashionable bar or restaurant that attracted locals as well as guests, and a willingness to be different. The concept was so successful that the big hotel companies adopted it, creating 'lifestyle' brands and soft brands that let independent hotels join a booking network while keeping their own identity. Over the following decades, the boutique idea spread to country houses, coaching inns, townhouses and seaside hotels across Britain, and members' clubs with bedrooms, such as Soho House, which opened its first club in London in 1995, blurred the line between hotel and private social space. The rise of design hotels also reflected changes in travel: guests who wanted experiences, Instagram-worthy interiors and neighbourhood character rather than the reliable sameness of the chain. Critics note that 'boutique' has become a marketing term, applied to hotels that are neither small nor distinctive. But at its best, the boutique hotel revived something close to the old inn, a place with a personality shaped by its owners, and showed that design and hospitality could work together to tell a story. - Blakes Hotel in London, opened in 1978 by Anouska Hempel, is often cited as an early designer hotel. - Ian Schrager and Steve Rubell opened Morgans Hotel in New York in 1984. - Soho House opened its first club in London in 1995. - Large hotel groups now operate 'lifestyle' and 'soft' brands modelled on boutique hotels. #### Short-term rentals and the platform economy Renting a room or a home to travellers is as old as hospitality itself, from the medieval lodger to the seaside landlady. But in the 2010s, online platforms turned it into a global industry that rivalled hotels. Airbnb, founded in San Francisco in 2008, built a marketplace where homeowners and tenants could list spare rooms or whole properties, with reviews and payments handled through the platform. It grew rapidly in London and other British cities, alongside rivals and older holiday letting businesses that had moved online. Short-term rentals offered travellers space, kitchens, local neighbourhoods and often lower prices, especially for groups and families, and allowed hosts to earn income from their homes. For the hotel industry, they presented competition from accommodation that did not always face the same regulations, taxes and costs. For cities, the impact became controversial. In London, the Deregulation Act 2015 allowed residents to let their homes for up to ninety nights a year without planning permission, a rule designed to reflect the traditional practice of letting a home while away. Concerns grew that whole homes were being converted into full-time holiday lets, reducing housing supply for local people in parts of London, Edinburgh, Cornwall, the Lake District and other popular areas. Scotland introduced a licensing scheme for short-term lets, which became mandatory for existing hosts from October 2023, and Edinburgh designated the city a short-term let control area. Wales gave local authorities new powers and introduced council tax premiums on second homes and long-term empty properties, and the UK government consulted on a registration scheme and planning changes for England. Changes to tax rules have also affected furnished holiday lets. The short-term rental story raises questions that go to the heart of hospitality: what makes a place welcoming, who benefits from tourism, and how a community balances visitors with the needs of residents who keep it alive all year. - Airbnb was founded in San Francisco in 2008. - The Deregulation Act 2015 allowed London homes to be let short term for up to ninety nights a year without planning permission. - Scotland's short-term let licensing became mandatory for existing hosts from October 2023. - Edinburgh has been designated a short-term let control area. ### Drinks #### The history of gin Gin's story begins in the Low Countries, with genever, a malty spirit flavoured with juniper that was distilled in the Netherlands and Flanders by the sixteenth century. Juniper had long been used medicinally, and early juniper spirits were sold as tonics. English soldiers fighting in the Low Countries in the late sixteenth and seventeenth centuries are said to have encountered genever and the phrase 'Dutch courage', though the story is more often told than proven. When William of Orange, a Dutchman, took the English throne in 1689, policies favouring domestic distilling and discouraging French brandy helped gin take root in England, leading to the gin craze of the early eighteenth century and the reforms that followed. Through the nineteenth century, gin's character changed. The invention of the column still, patented by Aeneas Coffey in 1830, made it possible to produce a purer, lighter spirit, and the style that became known as London Dry gin, unsweetened, with botanicals added during distillation rather than afterwards, emerged in the later nineteenth century. Gin became respectable, and with the British Empire, tonic water containing quinine, used against malaria, gave rise to the gin and tonic. Gin was also a key spirit in the American cocktail tradition, in drinks such as the Martini. In the mid-twentieth century gin's popularity waned as vodka rose, and by the late twentieth century gin seemed old-fashioned. Then came a revival. In 2009 Sipsmith in London obtained a licence for a small copper pot still, challenging a long-standing practice that discouraged small stills, and its success helped inspire a wave of craft distilleries across Britain. The 2010s saw an explosion of new gins, flavoured and pink gins, and gin bars, and the number of distilleries in the UK rose dramatically. Gin remains one of the clearest examples of a drink whose reputation has swung from vice to virtue and back to fashion, and its story touches on war, trade, empire, science and the bar. - Genever, a juniper-flavoured malt spirit, developed in the Low Countries by the sixteenth century. - Aeneas Coffey patented his column still in 1830. - London Dry is a style defined by method, not by place of production. - Sipsmith obtained a licence for a small copper pot still in London in 2009. #### Whisky: from illicit stills to global spirit Scotch whisky is one of Britain's great exports, and its history is as dramatic as its landscapes. Distilling in Scotland is recorded in the Exchequer Rolls of 1494, which mention malt sent to a friar 'to make aqua vitae', usually taken as the earliest written reference. For centuries, whisky was made on farms and in small stills, often illicitly, as successive governments imposed taxes on malt and spirits. Following the Act of Union of 1707, and particularly after the malt tax was extended to Scotland in 1725, smuggling and illicit distilling became widespread, especially in the Highlands, and excise officers fought a long battle against hidden stills. The Excise Act of 1823 made licensed distilling more attractive by lowering duties and licence fees, and many of today's famous distilleries trace their legal foundation to the years that followed. The invention of the column still, including Aeneas Coffey's design patented in 1830, enabled grain whisky to be produced efficiently, and blending malt whisky with grain whisky produced a smoother, more consistent product that could be sold widely. Blended Scotch became hugely successful from the later nineteenth century, helped by the devastation of French vineyards by the phylloxera insect, which reduced supplies of brandy. Brands such as Johnnie Walker, Dewar's and others became global names. The twentieth century brought challenges, including the American Prohibition of 1920 to 1933, which closed a major market, though some whisky was smuggled in. In the late twentieth century, single malt Scotch, bottled from a single distillery, grew in popularity, encouraging tourism and connoisseurship. Irish whiskey, once the world's leading whiskey, declined sharply in the twentieth century before a strong revival from the 1990s, and whisky distilling has grown in England and Wales in recent decades. Whisky's history is deeply tied to hospitality, from the hotel bar to the distillery visitor centre, and its global reach owes much to the merchants and blenders who turned a farm spirit into a symbol of Scotland. - The Scottish Exchequer Rolls of 1494 contain the earliest known written reference to distilling in Scotland. - The Excise Act of 1823 encouraged legal distilling in Scotland. - Blended Scotch, combining malt and grain whiskies, grew rapidly from the later nineteenth century. - Phylloxera devastated French vineyards in the late nineteenth century, reducing brandy supplies. - US Prohibition ran from 1920 to 1933. #### London's coffee houses In the second half of the seventeenth century, a new kind of public room appeared in London, and it changed the city's intellectual and commercial life. The first coffee house in England is generally recorded in Oxford in 1650 or thereabouts, and in London, Pasqua Rosée, a Greek-born or Armenian servant of a merchant, opened a coffee house near Cornhill around 1652. Coffee houses spread rapidly through the city in the following decades. For the price of a dish of coffee, often said to be a penny, customers could sit, read newspapers and pamphlets, debate politics and do business, which led to the nickname 'penny universities'. Coffee houses were largely male spaces, and some women objected; a pamphlet of 1674, the Women's Petition Against Coffee, satirically complained that coffee made men idle. The authorities were suspicious too. In 1675 Charles II issued a proclamation to suppress coffee houses as places of sedition, but it was withdrawn within days after protests. Coffee houses developed specialities. Edward Lloyd's coffee house, open by the late 1680s, became a meeting place for shipping and insurance, and Lloyd's of London grew from it. Jonathan's and Garraway's coffee houses were associated with stock trading, contributing to the origins of the London Stock Exchange. Others were linked to writers, scientists, lawyers and political factions. By the late eighteenth century, the coffee house culture had declined, as clubs, taverns, tea and new institutions took over its functions, and tea replaced coffee as Britain's favourite hot drink. The modern revival of coffee culture from the 1990s, with chains and later independent specialty coffee shops, echoes the coffee house as a 'third place' between home and work. When people today work on laptops in cafés, argue about the news or hold meetings over a flat white, they are continuing a tradition that is more than three and a half centuries old. - England's first coffee house is generally dated to Oxford around 1650. - Pasqua Rosée opened a coffee house in London around 1652. - Charles II's 1675 proclamation to suppress coffee houses was quickly withdrawn. - Lloyd's of London grew from Edward Lloyd's coffee house in the late seventeenth century. #### Tea in Britain Tea is so deeply associated with Britain that it can be hard to remember it was once an exotic luxury. It arrived in England in the mid-seventeenth century, and an advertisement for tea at a London coffee house appeared in 1658. Catherine of Braganza, the Portuguese wife of Charles II, is often credited with making tea fashionable at court after their marriage in 1662. For much of the eighteenth century, tea was heavily taxed, and smuggling was widespread. The Commutation Act of 1784, which slashed the duty on tea, made legal tea far cheaper and helped it become an everyday drink for all classes. The East India Company dominated the trade with China, and the need to pay for tea contributed to the opium trade and the Opium Wars of the nineteenth century, a dark chapter in the history of the drink. In the nineteenth century, British planters established tea cultivation in India, particularly in Assam and later Darjeeling, and in Ceylon, now Sri Lanka, using labour systems that were often exploitative. Tea became central to British social life. Afternoon tea is often credited to Anna, Duchess of Bedford, in the 1840s, as a light meal to bridge the long gap between lunch and dinner, and it became a fashionable social ritual. High tea, a more substantial evening meal, was associated with working families in the north of England and Scotland. Tea rooms and tea shops became important spaces, especially for women, from the late nineteenth century, with companies such as Lyons and the ABC chains, and later the Glasgow tea rooms of Miss Catherine Cranston, some designed by Charles Rennie Mackintosh. The tea bag, which became common in Britain from the 1950s and 1960s, changed how tea was made at home. Today, afternoon tea is a significant part of hotel trade, and tea remains, alongside the pub and the café, one of the essential rituals of British hospitality. - An advertisement for tea appeared in a London newspaper in 1658. - Catherine of Braganza married Charles II in 1662 and is often credited with popularising tea at court. - The Commutation Act of 1784 sharply reduced tea duties. - Afternoon tea is often credited to Anna, Duchess of Bedford, in the 1840s. #### Porter, pale ale and the British brewing tradition Before lager, before craft beer, Britain gave the world some of its most important beer styles. In early eighteenth-century London, a dark, strong, well-hopped brown beer became the drink of the city's workers. It was called porter, probably because it was popular with the street and river porters who carried goods around the city. Porter could be brewed in very large quantities and aged in huge vats, and its success helped to create the first truly industrial breweries, with enormous output and early use of steam engines and scientific instruments such as the thermometer and hydrometer. Stronger versions became known as stout porter, and eventually simply stout. In Dublin, Arthur Guinness, who leased a brewery at St James's Gate in 1759, began brewing porter later in the century and his family's stout became famous around the world. Meanwhile, the development of coke-fired malting allowed paler malts to be produced, and pale ales grew in popularity in the late eighteenth and nineteenth centuries. India Pale Ale, a well-hopped beer shipped to British India, became associated with London brewers such as Hodgson and later with the brewers of Burton upon Trent, whose hard, mineral-rich water was ideal for pale ales. Burton became one of the world's great brewing towns, home to Bass and others. Mild ale, bitter and brown ales became the staples of British pubs in the nineteenth and twentieth centuries, served from casks and brewed by thousands of breweries, before consolidation cut their number sharply in the twentieth century. The craft beer revival of the twenty-first century has drawn heavily on these traditions, with American brewers reinventing IPA and porter, and British brewers rediscovering historical recipes. Telling the story of British beer means telling the story of industrialisation, empire, chemistry and the pub, and it shows that British drinkers were brewing innovation long before anyone used the word 'craft'. - Porter emerged in London in the early eighteenth century and is named after the city's porters. - Arthur Guinness leased the St James's Gate brewery in Dublin in 1759. - Burton upon Trent's hard water made it famous for pale ales. - Mild and bitter were staples of British pubs through much of the twentieth century. #### Lager's arrival in Britain For most of its history, British beer was ale: top-fermented, served at cellar temperature, often from the cask. Lager, a bottom-fermented beer matured cold, developed in central Europe, and the golden pilsner style was first brewed in the Bohemian town of Plzeň in 1842. Lager was available in Britain in the nineteenth century, and some brewers experimented with it; the Wrexham Lager Brewery in Wales was established in the early 1880s, and lager was brewed in Scotland too, where Tennent's in Glasgow began lager brewing in the 1880s. But for many decades it remained a niche drink in Britain, associated with foreign visitors, hot weather and the better-off. The transformation came after the Second World War. In the 1960s and 1970s, brewers invested heavily in lager brands, many of them brewed in Britain under licence from European or Australian brands. Advertising positioned lager as modern, refreshing and youthful, and greater foreign travel and package holidays introduced many British drinkers to cold, fizzy beer. Lager was also well suited to the keg dispense systems that big brewers favoured, being consistent and easier for pubs to manage than cask ale. Its rise was dramatic: from a small share of the beer market in the 1960s, lager came to account for the majority of beer sold in Britain by around the end of the 1980s. Strong lagers and the 'lager lout', a phrase popularised in the late 1980s to describe drunken young men, became part of the national conversation about alcohol. The arrival of premium imported lagers in the 1990s and 2000s, and later craft lagers made by small British breweries, changed the image again. Lager's story is also a story of corporate consolidation, as global brewing groups came to own most of the major lager brands sold in British pubs. For the podcast, it offers a sharp lesson: what seems like the eternal taste of the pub is often a product of marketing, technology and the habits of a particular generation. - The first golden pilsner was brewed in Plzeň in 1842. - Tennent's began brewing lager in Glasgow in the 1880s. - Lager became the majority of British beer sales by around the end of the 1980s. - Many lager brands sold in Britain have been brewed under licence from overseas owners. #### Cocktails and Prohibition The cocktail is generally regarded as an American invention, and its early history is a mixture of documented fact and enjoyable legend. A definition of the word appeared in a New York newspaper, The Balance and Columbian Repository, in 1806, describing a cocktail as a stimulating liquor of spirits, sugar, water and bitters. In the nineteenth century, American bartenders developed a professional craft, and Jerry Thomas published one of the first bartending guides in 1862, which collected recipes for punches, juleps, cobblers, slings and cocktails. Ice, harvested from frozen lakes and shipped long distances, was central to the American bar. Drinks such as the Manhattan and the Martini emerged in the late nineteenth century, though their origins are disputed. Prohibition in the United States, from 1920 to 1933, closed legal bars and led to speakeasies, bootlegging and organised crime. It also sent many skilled American bartenders abroad, to Europe and Cuba, where they worked in hotel bars in Paris, London and Havana. In London, the American Bar at the Savoy became famous, and Harry Craddock, an English-born bartender who had worked in the United States and returned during Prohibition, published The Savoy Cocktail Book in 1930, which became a classic. Ada Coleman, who led the Savoy's American Bar before him, is often credited with creating the Hanky Panky. Harry's New York Bar in Paris became a magnet for expatriates. Prohibition is often credited with shaping the sweetened and heavily mixed drinks of the period, designed to mask poor-quality spirits, though that claim is debated. After repeal, cocktail culture evolved through the mid-century, but by the 1970s and 1980s many classic techniques and recipes had been forgotten, replaced by pre-mixed sours and sweet, brightly coloured drinks. The memory of the Prohibition era, with its speakeasies and hidden doors, would later become a powerful theme in the cocktail renaissance. The story offers rich material for any episode on how laws shape hospitality, often in unexpected ways. - A definition of 'cocktail' appeared in a New York newspaper in 1806. - Jerry Thomas published an early bartending guide in 1862. - US Prohibition lasted from 1920 to 1933. - Harry Craddock's The Savoy Cocktail Book was published in 1930. - Ada Coleman ran the American Bar at the Savoy before Craddock and is often credited with the Hanky Panky. #### Tiki culture Tiki is one of the most fascinating episodes in drinks history, a fantasy of the South Pacific invented in Depression-era California. Ernest Raymond Beaumont Gantt, who later took the name Donn Beach, opened a bar in Hollywood in the early 1930s, shortly after the end of Prohibition, that became Don the Beachcomber. He decorated it with bamboo, fishing nets and Polynesian-inspired artefacts and created complex rum drinks with layered flavours of fruit, spice and multiple rums, serving them in a fantasy world far from everyday life. Victor Bergeron, known as Trader Vic, opened his own bar in Oakland in the 1930s and developed a similar style. Both men claimed the invention of the Mai Tai, and the dispute became part of tiki lore, with Trader Vic often credited with the version that became famous. After the Second World War, when many American servicemen had served in the Pacific, tiki became a national craze, with restaurants, home bars, music and design. Trader Vic's restaurants expanded internationally, including in London, where a Trader Vic's opened at the Hilton on Park Lane in the 1960s. By the 1970s tiki had begun to fade, seen as kitsch, and many of its complicated recipes, which Donn Beach had kept secret, were lost or simplified. In the cocktail renaissance of the 2000s, enthusiasts and historians, notably Jeff 'Beachbum' Berry, researched and rediscovered original recipes, and tiki drinks were revived in serious cocktail bars around the world. Tiki also raises important questions. Its imagery borrowed freely from Polynesian cultures in ways that many now regard as caricature and appropriation, and modern bartenders have debated how to celebrate the drinks while reconsidering the decor. For the podcast, tiki shows how hospitality can sell escape, how a bar can become a stage set, and how a style can rise, fall and rise again while carrying the cultural assumptions of its time. - Don the Beachcomber opened in Hollywood in the early 1930s. - Victor Bergeron, Trader Vic, opened his first bar in Oakland in the 1930s. - Both Donn Beach and Trader Vic claimed to have invented the Mai Tai. - Jeff Berry's research helped revive original tiki recipes from the 2000s. #### The cocktail renaissance By the 1980s, the art of the cocktail had fallen a long way from the Savoy of the 1930s. Many bars used sour mix from bottles, fresh juice was rare and classic recipes were largely forgotten. The revival that followed, from the late 1980s through the 2000s, is one of the most significant developments in modern hospitality, and London was at its heart. In New York, Dale DeGroff, at the Rainbow Room from 1987, is widely credited with reintroducing fresh ingredients and classic techniques to a high-profile bar. In London, Dick Bradsell is often credited with creating drinks such as the Bramble and the Espresso Martini, originally known by other names, in the 1980s and 1990s, and he influenced a generation of bartenders. The Atlantic Bar and Grill in the 1990s, and bars such as Milk & Honey, opened in New York in 2000 by Sasha Petraske, and later in London, helped define a new style that emphasised fresh ingredients, measured recipes, good ice, attentive service and a calm, sometimes reservation-only atmosphere with rules of etiquette. The speakeasy aesthetic, with hidden entrances and dim lighting, became fashionable. Historians and writers, including David Wondrich, rediscovered nineteenth-century recipes and techniques. The 2000s and 2010s brought an extraordinary flowering of bar culture in London, with bars experimenting with infusions, house-made ingredients, aged cocktails and scientific techniques. London bars regularly feature prominently in international bar rankings, such as the World's 50 Best Bars list, first published in 2009. Bartending became a career with competitions, brand ambassadors and international celebrity. The renaissance also encouraged a revival of interest in spirits such as gin, rye whiskey, mezcal and vermouth, and the growth of low- and no-alcohol cocktails in the 2010s and 2020s. Critics occasionally mock the waistcoats, moustaches and long waits for complicated drinks. But the renaissance professionalised bar work, rebuilt a lost craft and made the British bar scene one of the most admired in the world. - Dale DeGroff led the bar at New York's Rainbow Room from 1987. - Dick Bradsell is widely credited with creating the Bramble and the drink now known as the Espresso Martini. - Milk & Honey opened in New York in 2000, founded by Sasha Petraske. - The World's 50 Best Bars list was first published in 2009. #### Craft beer in Britain The craft beer movement that swept Britain in the 2000s and 2010s had several roots. One was the real ale tradition defended by CAMRA since the 1970s, which kept small breweries and cask beer alive. Another was the American craft brewing revolution, which began in the late 1970s and 1980s with small breweries making bold, hoppy beers inspired partly by British styles such as IPA and porter. A third was policy. The introduction of Small Brewers' Relief in 2002, which reduced beer duty for smaller producers, made it much easier for new breweries to survive, and the number of breweries in the UK grew dramatically over the following decade and a half. In the late 2000s, a new generation of British brewers emerged, influenced by American hops and attitudes. BrewDog, founded in Fraserburgh, Scotland, in 2007, became the most famous and controversial of them, with provocative marketing, crowdfunding schemes and rapid growth into bars and international markets, followed later by public criticism of its workplace culture. Many other breweries, from London to Manchester, Bristol, Leeds and beyond, built strong reputations, often with taprooms in railway arches and industrial estates. Craft beer was frequently served from kegs or cans rather than casks, and this sometimes caused friction with traditional real ale supporters, who saw keg as the enemy of the 1970s. The movement also transformed pubs and bars, with dedicated craft beer bars and bottle shops, and pushed big brewers to buy successful craft breweries; several well-known British craft brands were acquired by global brewing groups in the 2010s, prompting debate about what 'craft' really means. The pandemic and rising costs in the 2020s, including energy and ingredients, put many small breweries under pressure, and closures increased. Yet the variety of beer available in Britain today is far greater than at almost any time in modern history, and the craft movement has helped revive interest in local production and the pub as a place to try something new. - Small Brewers' Relief was introduced in the UK in 2002. - BrewDog was founded in Fraserburgh, Scotland, in 2007. - Craft brewers often favour keg and can, while CAMRA has historically championed cask. - Several British craft breweries were acquired by global brewing groups in the 2010s. #### Wine in Britain: claret, port and the English vineyard Britain has been one of the world's great wine markets for centuries, even though for most of its history it produced very little wine itself. In the Middle Ages, the English crown's possession of Gascony, after the marriage of Eleanor of Aquitaine to the future Henry II in 1152, created a large trade in wine from Bordeaux, and the English word 'claret' for red Bordeaux reflects that long relationship. Wars with France repeatedly disrupted the trade. In the late seventeenth and eighteenth centuries, conflict and tariffs encouraged British merchants to turn to Portugal, and the Methuen Treaty of 1703 gave Portuguese wines favourable duties. British merchants in Porto developed port, a fortified wine that travelled well, and families such as Taylor, Croft and others became famous. Sherry from Jerez and Madeira were also enormously popular in Britain, and British merchants were deeply involved in their trade. The wine bar boom of the 1970s and 1980s, the expansion of supermarket wine and the growth of New World wines from Australia, New Zealand, South Africa and South America transformed how Britons drank wine, making it an everyday drink rather than a luxury. Meanwhile, English and Welsh winemaking has been revived. Vines had been grown in medieval England, but commercial winemaking had largely disappeared until the mid-twentieth century, when pioneers planted vineyards, including Hambledon in Hampshire in 1952. From the 1990s, English sparkling wine made by the traditional method won international recognition, helped by chalk soils similar to Champagne and a warming climate. In the 2010s and 2020s, the number of English and Welsh vineyards grew rapidly, and wine tourism became a growing part of rural hospitality. For hospitality workers, the British role as a wine trading nation has also created a deep tradition of wine merchants, sommeliers and education, including the Wine & Spirit Education Trust, founded in 1969, and the Institute of Masters of Wine, which held its first examination in 1953. - The marriage of Eleanor of Aquitaine and the future Henry II in 1152 linked England with the Bordeaux wine trade. - The Methuen Treaty of 1703 gave Portuguese wines favourable duties in England. - Hambledon vineyard in Hampshire was planted in 1952. - The Institute of Masters of Wine held its first examination in 1953. - The Wine & Spirit Education Trust was founded in 1969. ### Work and people #### From domestic service to the service industry Modern hospitality work grew out of one of the largest occupations in Victorian Britain: domestic service. In the nineteenth century, very large numbers of people, the majority of them women and girls, worked as servants in private households, from maids-of-all-work in modest homes to the elaborate hierarchies of country houses, with butlers, housekeepers, cooks, footmen and kitchen maids. The skills and structures of domestic service flowed directly into hotels and restaurants. Grand hotels were in many ways vast households run on commercial lines, with housekeepers overseeing chambermaids, head waiters directing staff and kitchens organised in strict ranks. The language survives in job titles such as housekeeper, butler, valet and concierge. Service also carried assumptions about class and deference that shaped how hospitality workers were seen and treated. Servants were expected to be invisible, to anticipate needs and to accept long hours and low pay in exchange for board and lodging. Live-in work, with accommodation provided, remained common in hotels well into the twentieth century and still exists in rural and seasonal hospitality. Domestic service declined sharply after the First World War, as women found other work in factories, offices and shops, and as household technology and smaller homes reduced demand. Many of the skills moved into the commercial sector, and hospitality became one of the largest employers in the British economy. The shift from servant to service worker involved important changes, including employment rights, the minimum wage introduced in 1999, holiday pay and protections against discrimination. Yet echoes of the old world persist, in the idea that a guest is always right, in emotional labour expected of front-of-house staff, and in debates about respect for hospitality as a profession. For an episode on why hospitality work is undervalued, the history of domestic service is essential context: the industry inherited both the craft of care and the class prejudice that once surrounded those who provided it. - Domestic service was one of the largest occupations in Victorian Britain, dominated by women. - Grand hotel staffing structures drew heavily on the hierarchies of large private households. - Domestic service declined sharply after the First World War. - The UK National Minimum Wage was introduced in April 1999. #### The history of tipping Tipping is one of the oldest and most argued-over customs in hospitality. In Britain, the practice is often traced to 'vails', payments made by guests to servants in private houses in the seventeenth and eighteenth centuries, which became a burden on visitors and the subject of complaints and campaigns. A popular story claims that 'tips' stands for 'to insure promptness', but this is a myth with no historical basis; the word's origins are uncertain and probably come from underworld slang meaning to give or pass. Tipping in taverns, coffee houses and inns became common, and in the nineteenth century tipping waiters, porters and other staff spread widely in Europe and the United States. In America, tipping became deeply entrenched after the Civil War and was linked to the exploitation of formerly enslaved people working as porters and waiters, a history that has shaped debates there to this day. In Britain, tipping has remained more modest than in the United States, and the discretionary service charge, often 12.5 per cent in London restaurants, became common from the late twentieth century. Controversy grew about whether tips and service charges actually reached staff. In 2009, rules were changed so that tips could no longer count towards the National Minimum Wage, and in the 2010s, campaigns exposed restaurant chains that took a share of tips paid by card. The Employment (Allocation of Tips) Act 2023, which came into force on 1 October 2024, requires employers in England, Scotland and Wales to pass on all tips, gratuities and service charges to workers without deductions, and to have a written policy and distribute tips fairly, with a statutory code of practice. Tipping raises complex questions: whether it rewards good service or reflects bias, whether wages should be higher instead, and how to treat kitchen staff who do not receive tips directly. The topic is perennial for hospitality podcasts because it touches on fairness, money and the relationship between guest and server. - 'Vails' were payments by guests to servants in private houses in the seventeenth and eighteenth centuries. - The claim that 'tips' means 'to insure promptness' is a myth. - From 2009, tips could no longer count towards the National Minimum Wage in the UK. - The Employment (Allocation of Tips) Act 2023 came into force on 1 October 2024. #### Trade unions in hospitality Hospitality has always been one of the hardest sectors to organise, and the reasons tell us a great deal about the industry. Workforces are scattered across many small businesses, staff turnover is high, many workers are young, part-time, seasonal or migrants, and hours are irregular and late. Yet there is a long history of hospitality workers organising for better conditions. In the late nineteenth and early twentieth centuries, waiters, cooks and hotel workers in London formed unions and associations, some linked with workers from continental Europe who had experience of organising. There were notable strikes, including in London hotels and restaurants in the years before the First World War. In the mid-twentieth century, large general unions represented workers in hotels, catering and industrial canteens. Wages councils, including the Catering Wages Commission created by the Catering Wages Act 1943, set minimum pay and conditions in parts of the sector for decades, until most wages councils were abolished in 1993, a few years before the national minimum wage arrived in 1999. The Agricultural Wages Board survived longer, but it covered farms, not hospitality. Grunwick, the famous strike of 1976 to 1978, was in photo processing rather than hospitality, but it highlighted the organising of migrant workers that would later matter in the sector. In recent decades, union membership in hospitality has been low compared with many other sectors. New forms of organising have emerged, with smaller and grassroots unions, campaigns around tips, zero-hours contracts and fair pay, and the involvement of unions such as Unite, the GMB and the Bakers, Food and Allied Workers' Union, which has organised hospitality workers. The pandemic, which left many workers on furlough or out of work, and the cost-of-living crisis encouraged further organising. For the podcast, union history challenges the image of hospitality as purely about entrepreneurship and passion: it is also about collective struggles over pay, safety and dignity at work. - The Catering Wages Act 1943 created a commission to set pay and conditions in parts of the sector. - Most UK wages councils were abolished in 1993. - The National Minimum Wage arrived in 1999. - Unions active in modern UK hospitality include Unite, the GMB and the Bakers, Food and Allied Workers' Union. #### Migration and hospitality workforces It is impossible to tell the history of British hospitality without telling the history of migration. From the French and Swiss chefs and waiters who staffed Victorian and Edwardian grand hotels to the Italian families running cafés and the Chinese, South Asian, Greek Cypriot and Turkish families who built restaurant and takeaway businesses across the country, migrants have shaped what and how Britain eats and drinks. In the late nineteenth and early twentieth centuries, London's top hotel and restaurant kitchens were largely staffed by continental Europeans, and French was the language of the professional kitchen. Irish workers were an important part of the hospitality workforce in Britain for generations. After the Second World War, Commonwealth migration brought workers from the Caribbean, South Asia and elsewhere into hotels, hospitals and transport, as well as into restaurants of their own. A major new chapter began in 2004, when several countries in central and eastern Europe, including Poland, joined the European Union and their citizens gained the right to work in Britain. Hospitality employers recruited heavily from these countries, and workers from across the EU became a significant part of the workforce in hotels, restaurants, cafés and bars, especially in London and tourist areas. The vote to leave the European Union in 2016 and the end of free movement on 1 January 2021 changed this. A points-based immigration system made it harder to recruit lower-paid workers from abroad, and the combination of Brexit and the pandemic contributed to severe staff shortages in hospitality in 2021 and 2022. Some roles, such as chefs, have appeared on shortage occupation lists at various times, and debates about visas and salary thresholds remain central to the industry. Migration has also brought challenges, including exploitation, modern slavery cases and discrimination. For a podcast seeking to tell the human story of hospitality, the migrant workforce is not a side issue but the heart of the industry's history. - Continental European chefs and waiters dominated many top London kitchens in the late nineteenth and early twentieth centuries. - Poland and several other countries joined the EU in 2004, gaining the right to work in the UK. - Free movement between the UK and the EU ended on 1 January 2021. - Hospitality faced severe staff shortages in 2021 and 2022, linked to Brexit and the pandemic. #### Women in professional kitchens Women have always cooked, in homes, inns and great houses, yet professional kitchens became, for much of modern history, overwhelmingly male. In the eighteenth and nineteenth centuries, women cooks ran many British kitchens, and the cook in a substantial household was often a woman of considerable skill and authority. Hannah Glasse's The Art of Cookery Made Plain and Easy, first published in 1747, was one of the most successful cookery books of the century, and Eliza Acton's Modern Cookery for Private Families, published in 1845, was highly influential; Isabella Beeton's Book of Household Management followed in 1861. But the French-led brigade system in hotels and restaurants, formalised in the late nineteenth century, created a professional culture dominated by men, with long hours and a militaristic hierarchy that excluded many women. There were notable exceptions. Rosa Lewis, who ran the Cavendish Hotel in London from the early twentieth century, became famous for her cooking for Edwardian society. In France, women cooks known as the mères de Lyon ran celebrated restaurants, and Eugénie Brazier became, in 1933, the first chef to hold three Michelin stars at two restaurants at once. In Britain, women such as Elizabeth David, Jane Grigson and later many chefs and restaurateurs reshaped food culture, though often from outside the professional kitchen. Over the past few decades, women chefs have risen to prominence in Britain, including chefs who have won Michelin stars and run major restaurants, and campaigns and organisations have challenged sexism, harassment and the lack of flexibility that pushes many women out of kitchens. The pandemic and staff shortages encouraged some employers to rethink shift patterns and kitchen culture. Yet professional kitchens remain male-dominated, particularly at senior levels, and the reasons, culture, hours, childcare and bias, remain live debates. For a podcast, the history of women in kitchens is a rich subject that reveals how the professionalisation of cooking changed who was allowed to be called a chef. - Hannah Glasse's The Art of Cookery Made Plain and Easy was first published in 1747. - Eliza Acton's Modern Cookery for Private Families was published in 1845. - Mrs Beeton's Book of Household Management was published in 1861. - Eugénie Brazier held three Michelin stars at two restaurants simultaneously from 1933. #### Lockdowns and furlough, 2020 to 2021 No event in modern history shut British hospitality as completely as the Covid-19 pandemic. On 20 March 2020, the Prime Minister announced that pubs, restaurants, cafés and bars must close that night, and on 23 March a national lockdown began. Hotels closed except for key workers and other limited purposes. The government introduced the Coronavirus Job Retention Scheme, known as furlough, under which it paid 80 per cent of the wages of employees who could not work, up to a cap of 2,500 pounds a month. Hospitality was among the sectors that relied most heavily on the scheme, and a very large share of its workforce was furloughed at some point. Other support included business rates relief, grants, loans and a temporary cut in VAT on food, accommodation and attractions, from 20 per cent to 5 per cent from July 2020. Pubs and restaurants in England reopened on 4 July 2020, with social distancing and contact tracing. In August 2020, the Eat Out to Help Out scheme subsidised half the cost of meals eaten in on Mondays to Wednesdays, up to 10 pounds per diner, encouraging people back to restaurants. Later in the year, rules tightened again, with a 10pm curfew, regional tiers that closed pubs not serving 'substantial meals', and a second national lockdown in England in November. A third lockdown began in January 2021. Outdoor hospitality reopened in England on 12 April 2021, indoor hospitality on 17 May 2021, and most remaining legal restrictions in England were lifted on 19 July 2021. Scotland, Wales and Northern Ireland set their own timetables. The furlough scheme ended on 30 September 2021. The pandemic devastated many businesses and left lasting debt, but it also produced innovation, including takeaway and delivery, meal kits, outdoor dining, pavement licences and digital ordering. For many hospitality workers, the experience of furlough prompted reflection on careers, pay and hours, which fed directly into the staffing crisis that followed. - Pubs, restaurants and cafés were ordered to close on the evening of 20 March 2020. - The furlough scheme paid 80 per cent of wages up to 2,500 pounds a month and ended on 30 September 2021. - Hospitality reopened in England on 4 July 2020. - Eat Out to Help Out ran in August 2020, offering 50 per cent off meals up to 10 pounds per diner. - Indoor hospitality reopened in England on 17 May 2021. #### The post-pandemic staffing crisis When British hospitality reopened in 2021, many businesses found that they could not recruit enough staff to open fully. Restaurants cut opening hours, hotels limited rooms and pubs closed on quieter days because they lacked chefs, waiters and housekeepers. Vacancy figures for accommodation and food services, published by the Office for National Statistics, rose to very high levels in 2021 and 2022. Several causes combined. The end of free movement from the European Union on 1 January 2021, under the new points-based immigration system, reduced the supply of workers from the EU, many of whom had returned home during the pandemic. Long lockdowns led some hospitality workers to retrain or move into other sectors, such as retail, logistics and office jobs, which offered more regular hours. Others reconsidered the stress, late nights and low pay of hospitality work. The pandemic also affected older workers and students, two groups important to the sector. Employers responded with higher wages, sign-on bonuses, better rotas, four-day weeks for kitchen staff in some cases, and more attention to wellbeing and training. Apprenticeships and recruitment campaigns sought to promote hospitality as a career. Some businesses changed their models, simplifying menus, introducing technology such as QR ordering, or reducing service. The crisis eased somewhat in 2023 and beyond, as vacancies fell, but challenges remained, including rising costs, increases in the National Living Wage and, from April 2025, higher employer National Insurance contributions, which hospitality trade bodies warned would hit jobs. The staffing crisis forced a broader conversation about the value of hospitality work and the conditions needed to retain skilled people. It is a subject where history matters: the sector's reliance on cheap, flexible and migrant labour developed over decades, and the post-pandemic shock exposed both its fragility and its importance. - ONS data showed very high vacancies in accommodation and food services in 2021 and 2022. - The end of EU free movement on 1 January 2021 reduced hospitality labour supply. - Many hospitality employers raised pay and changed rotas to attract staff after reopening. - Employer National Insurance contributions rose from April 2025. ### Nightlife #### Music halls The music hall was the great popular entertainment of Victorian Britain, and it grew directly out of the pub. In the early nineteenth century, many taverns hosted singing saloons and 'free and easy' evenings, where customers sang and amateur or professional performers entertained them in rooms attached to pubs. Song-and-supper rooms in London offered food, drink and entertainment to a largely male audience. In 1852, Charles Morton opened the Canterbury Hall in Lambeth, attached to the Canterbury Arms pub, and he is often called the father of the music hall. The Canterbury was a purpose-built hall where audiences ate and drank at tables while watching a varied programme of comic singers, acrobats and other acts. The music hall spread rapidly across London and other cities through the 1850s and 1860s, and its stars, such as Marie Lloyd, Dan Leno and George Robey, became huge celebrities. Music hall songs were witty, sentimental and often risqué, and they reflected working-class life. Regulations increasingly separated drinking and performance. Concern about drunkenness and safety, especially fire, led to licensing rules that, by the later nineteenth century, discouraged drinking in the auditorium of many larger halls. The halls became more like theatres, with fixed seating, and they evolved into variety theatres, the 'palaces of varieties' of the late nineteenth and early twentieth centuries. The music hall declined in the twentieth century, facing competition from cinema, radio and later television, though variety continued into the 1950s. Its influence is everywhere: in comedy, pantomime, popular song and the idea of a night out mixing drinks and entertainment. Wilton's Music Hall in east London, one of the few surviving early grand music halls, has been restored and remains a working venue. For the podcast, music halls show how closely British nightlife and the pub have always been linked. - Charles Morton opened the Canterbury Hall in Lambeth in 1852. - Music halls grew out of tavern singing saloons and song-and-supper rooms. - Stars included Marie Lloyd, Dan Leno and George Robey. - Wilton's Music Hall in east London is a rare surviving early music hall. #### Jazz clubs and the post-war club scene Jazz arrived in Britain soon after the First World War, when the Original Dixieland Jazz Band visited London in 1919, and it quickly found a place in dance halls, hotels and nightclubs. The interwar period saw a glamorous nightlife in London's West End, with dance bands playing in hotel ballrooms such as the Savoy, whose Savoy Orpheans broadcast on the radio, and nightclubs that attracted society and sometimes the attention of the police for breaches of licensing laws. Kate Meyrick, who ran several clubs including the 43 Club in Soho, became famous, and notorious, for her repeated prosecutions in the 1920s. Restrictions on American musicians working in Britain, a result of disputes between the British and American musicians' unions from the mid-1930s until the mid-1950s, limited visits by American jazz performers and encouraged a homegrown scene. After the Second World War, Soho became the centre of a vibrant club culture. Clubs such as the Club Eleven, opened in 1948, championed modern jazz and bebop, while trad jazz enjoyed a boom in the 1950s. Ronnie Scott's Jazz Club opened in Gerrard Street in 1959, founded by the saxophonists Ronnie Scott and Pete King, and moved to Frith Street in 1965, becoming one of the most famous jazz clubs in the world. Caribbean communities brought calypso, ska and sound system culture, and clubs and blues parties, sometimes in private homes, became important social spaces, especially where Black Britons faced discrimination elsewhere. In the 1960s, clubs such as the Marquee and the Flamingo in Soho hosted rhythm and blues and rock bands and launched many careers. The post-war club scene shaped British music and nightlife, created spaces where different communities mixed and pushed against licensing restrictions. For the podcast, it offers stories about music, migration, policing and the long tradition of the late-night venue as a place of freedom. - The Original Dixieland Jazz Band visited London in 1919. - Union restrictions limited American jazz musicians performing in Britain from the mid-1930s to the mid-1950s. - Ronnie Scott's opened in Gerrard Street in 1959 and moved to Frith Street in 1965. - Club Eleven, an early London modern jazz club, opened in 1948. #### Rave and acid house In the late 1980s, a new kind of party transformed British nightlife. House music, which had emerged in Chicago in the early to mid-1980s, and acid house, with the squelching sound of the Roland TB-303 bass synthesiser, reached Britain, along with techno from Detroit. A group of British DJs and promoters who had experienced the club scene in Ibiza in 1987 returned home inspired, and clubs such as Shoom, started by Danny Rampling, and Spectrum and others in London brought the new sound to British dance floors. The Haçienda in Manchester, opened in 1982 by Factory Records and the band New Order, became a centre of acid house and the 'Madchester' scene. The summer of 1988 became known as the 'Second Summer of Love', and 1989 saw the explosion of large illegal or unlicensed raves in warehouses and fields, especially around the M25, attended by thousands of young people. The drug ecstasy played a significant part in the culture, which emphasised communal dancing, euphoria and the breaking down of social barriers. The authorities responded with alarm. The Entertainments (Increased Penalties) Act 1990 introduced heavy fines for unlicensed parties, and the Criminal Justice and Public Order Act 1994 gave police powers to stop gatherings at which music was played that was 'wholly or predominantly characterised by the emission of a succession of repetitive beats', a famous phrase in the law. The rave scene fragmented into many genres, including jungle and drum and bass, UK garage and later dubstep, and it moved into licensed clubs and festivals. The legacy of acid house is enormous: it created the modern dance music industry, the DJ as a star, the superclub and festival culture, and it changed the way young people in Britain went out. For the podcast, rave is a story about youth, freedom, regulation and how hospitality adapted to a new generation. - House music emerged in Chicago in the early to mid-1980s. - The Haçienda in Manchester opened in 1982. - The summer of 1988 is often called the Second Summer of Love. - The Criminal Justice and Public Order Act 1994 included powers against outdoor raves defined by 'repetitive beats'. #### Superclubs In the 1990s, the energy of rave was channelled into a new kind of business: the superclub. These were large, licensed venues with major DJs, branded nights, merchandise, compilation albums and international tours, and they became some of the most famous names in British nightlife. Ministry of Sound opened in a former bus garage in Elephant and Castle, south London, in 1991, inspired partly by New York's Paradise Garage, and it built a global brand on its sound system and record label. Cream started as a weekly night in Liverpool in 1992 and became internationally known, with its distinctive logo and events in Ibiza and elsewhere. Gatecrasher in Sheffield and Sheffield's broader scene, Renaissance and Godskitchen were among the other names that drew crowds from across the country, often with fans travelling long distances for a big night. Fabric, opened in Farringdon, London, in 1999, became one of the world's most respected clubs for underground music. The superclubs were part of a wider transformation: dance music moved from the margins into the mainstream charts, DJs became stars with high fees, and Ibiza became a summer destination for British clubbers. Commercial success brought criticism from those who felt the scene had lost its spirit, and the late 1990s and 2000s saw the rise of smaller, more specialised clubs and the growth of festivals. Superclubs also faced challenges from licensing pressures, rising property values, noise complaints and drug-related deaths. In 2016, Islington Council revoked Fabric's licence following two drug-related deaths, prompting a major campaign; the club reopened later that year under strict new conditions. The superclub era showed how nightlife could become a major industry with brands, tourism and exports, and it laid the foundation for debates about the night-time economy that followed. For many British people, the superclub was the defining hospitality experience of their youth. - Ministry of Sound opened in Elephant and Castle, London, in 1991. - Cream began as a weekly night in Liverpool in 1992. - Fabric opened in Farringdon, London, in 1999. - Fabric's licence was revoked in 2016 and the club reopened later that year under new conditions. #### Licensing liberalisation in 2005 On 24 November 2005, the Licensing Act 2003 came fully into force in England and Wales, and it marked one of the biggest changes to British nightlife in generations. For most of the twentieth century, pubs had faced fixed closing times, typically 11pm, while nightclubs needed special licences and late-night entertainment was tightly controlled by magistrates. The 2003 Act transferred licensing powers from magistrates' courts to local authorities, introduced a system of personal licences for individuals and premises licences for venues, and allowed venues to apply for any hours they wished, subject to the four licensing objectives: preventing crime and disorder, public safety, preventing public nuisance and protecting children from harm. The Act also brought together the licensing of alcohol, entertainment and late-night refreshment in one regime. The government argued that staggered closing times would reduce the problems caused when crowds left pubs at the same moment, and that the reforms would encourage a more relaxed, European-style culture. Media coverage before the change often warned of '24-hour drinking', but in practice relatively few venues obtained or used 24-hour licences, and many extended their hours modestly at weekends. Research and debate on the effects followed for years, with mixed conclusions about crime, disorder and health. The licensing regime evolved further. The Police Reform and Social Responsibility Act 2011 gave councils new tools, including late night levies and the ability to restrict late-night alcohol sales in particular areas, and cumulative impact policies became common in busy city centres, presuming against new licences. The Live Music Act 2012 eased rules on small live music events. The Licensing Act 2003 remains the foundation for pubs, bars, clubs and restaurants in England and Wales, and understanding it is essential for anyone working in or writing about the night-time economy. - The Licensing Act 2003 came fully into force on 24 November 2005. - It moved licensing from magistrates to local authorities. - It established personal licences and premises licences and four licensing objectives. - The Police Reform and Social Responsibility Act 2011 introduced late night levies. - The Live Music Act 2012 eased rules on small live music events. #### The night-time economy The phrase 'night-time economy' became common in Britain from the 1990s, as urban planners, councils and businesses began to see evening and night activity as an important part of city life and regeneration. In the 1990s and 2000s, many city centres, particularly in post-industrial cities, encouraged bars, clubs and restaurants as a way to revive empty areas, and some neighbourhoods became famous for nightlife, from Manchester's Northern Quarter to Leeds, Newcastle's Bigg Market and Quayside, and London's Shoreditch. This growth brought benefits, including jobs, tourism and cultural life, but also problems, including drunkenness, violence, noise and pressure on police and health services. Schemes such as Best Bar None and Purple Flag were developed to improve safety and management, along with street pastors, taxi marshals and better transport. The 2010s brought a new set of concerns. Many nightclubs closed, under pressure from rising rents, redevelopment and noise complaints from new residents, and trade bodies and campaigners warned of a decline in grassroots music venues and clubs. The agent of change principle, which places responsibility for managing noise on new developments near existing venues, was included in the National Planning Policy Framework for England in 2018. London appointed its first Night Czar in 2016, and other cities followed with similar roles, aiming to support night-time businesses and workers. The pandemic closed nightclubs for longer than almost any other part of hospitality: in England, they were among the last venues allowed to reopen, on 19 July 2021. Since then, the night-time economy has faced rising costs, changing habits among younger people, who on average drink less than previous generations, and concerns about safety, especially for women. The night-time economy is not just about drinking; it includes shift workers, transport, food and culture. For the podcast, it is an essential theme for understanding how British cities live after dark and how hospitality shapes their identity. - The term 'night-time economy' became common in UK planning from the 1990s. - Purple Flag is an accreditation scheme for safe, well-managed town centres at night. - London appointed its first Night Czar in 2016. - The agent of change principle entered England's National Planning Policy Framework in 2018. - Nightclubs in England reopened on 19 July 2021 after the pandemic closures.